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Nazarin
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Directed by Luis Buñuel
Acclaimed director Luis Buñuel displays several of his trademark interests in this drama about a priest who leaves his order. The director's disdain for organized religion and the establishment, as well as his tendency to shock through visual imagery, are both apparent. Nazarin (Francisco Rabal) is the priest who leaves his order and decides to go on a pilgrimage. As he goes along subsisting on alms, he shelters a prostitute wanted by the police for murder. He is released from suspicion and she eventually catches up with him when she escapes imprisonment. Another woman joins the duo and soon the ex-priest is learning more about the human heart and suffering than when he wore robes. As for the shocking scenes, suffice to say the ravages of a plague are also shown. ~ Eleanor Mannikka, All Movie Guide
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During his period of filmmaking in Mexico, Luis Buñuel explored the outer reaches of his efforts to satirize Christianity. Nazarin is the firmly tongue-in-cheek story of a defrocked priest who wanders through the barrios of Mexico, recruits a motley flock of disciples, and ends up exiled in the desert. Buñuel's purpose was to show how a literal interpretation of Christ's teaching would make a believer in modern society into a lunatic. Church leaders at first were unsure how to respond; the international Catholic cinema office considered giving it their prize at the 1959 Cannes Film Festival. Later films, such as Viridiana and Simon of the Desert, in which Buñuel further developed the themes of Nazarin, made more obvious his intent, which was to defrock organized religion as a form of institutional power. Nazarin has an elegant, almost poetic simplicity, unusual for Buñuel, yet it is also rich and complex in exploring fundamental questions about the human condition. ~ Michael Betzold, All Movie Guide
 

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