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Naked Lunch
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Directed by David Cronenberg
This cinematic/literary hybrid fuses motifs from Beat writer William S. Burroughs's novel of the same name with elements of the author's biography and plenty of the cerebral alienation and biomorphic special effects fans of creepy cult director David Cronenberg have come to expect. Bill Lee (Peter Weller) wants to write, but he exterminates bugs to pay the bills. His wife, Joan (Judy Davis), becomes addicted to Bill's bug powder dust, and soon he joins her in a world of unorthodox hallucinogens; he visits the kindly yet sinister Dr. Benway (Roy Scheider) and walks away with his first dose of the black meat -- a narcotic made from the flesh of the giant aquatic Brazilian centipede. Soon, monstrous beetles are whispering conspiracy theories in Bill's ears and his nebbish writer friends Hank (Nicholas Campbell) and Martin (Michael Zelniker) are sleeping with Joan under his nose. When a party trick involving a liquor glass and a gun goes awry, killing Joan, Bill flees to Interzone, a Mediterranean city full of talking insectoid typewriters, double agents, offbeat aesthetes, and plots within plots. As he navigates this paranoid landscape, Bill begins ingesting another drug called mugwump jism and writes fragments that Hank and Martin soon assemble into a novel under the title Naked Lunch. As beat literature aficionados know, Interzone is based on Tangiers -- the city where Burroughs wrote Naked Lunch. The incident in the film in which Hank and Martin appropriate Bill's writing and have it published closely approximates the real-life circumstances of the novel's publication, although it was Allen Ginsberg and Jack Kerouac who helped out the real-life Burroughs. The William Tell incident that kills Bill's wife is also drawn from the author's real life. "William Lee" is both Burroughs' literary stand-in and the name under which he published his first autobiographical novel Junky. Ian Holm, who plays Joan Frost's husband, Tom, would appear in Cronenberg's similarly experimental eXistenZ several years later. ~ Brian J. Dillard, All Movie Guide
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Smooth_JSmooth_J Hmm...
by Smooth_J in Smooth_J Blog
loved it.
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"The most difficult part for me in actually writing a critique of this movie is figuring out whether or not I actually liked the film. There were surefire moments of brilliance, but there were also long, disturbing stretches where I was tempted to turn the movie off. As mentioned by almost every other review of the film I've read, this movie explores all sorts of depths of depravity and doesn't let up. It seems to have the most fixation upon how almost every sleaze-bag guy th " [More]
Smooth_JSmooth_J Look upon me! I'll show you the ...
by Smooth_J in Smooth_J Blog
loved it.
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"This is one of my new favorites of the Coen Brothers’ films. Which isn’t really saying much, considering I’ve loved every single one of them that I’ve seen (I have yet to see The Hudsucker Proxy, and Intolerable Cruelty/Ladykillers—not in much of a rush for those). " [More]
Smooth_JSmooth_J A Hallucinatory Masterpiece
by Smooth_J in Smooth_J Blog
loved it.
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"I somehow discovered this movie on Amazon a few weeks ago, and after reading up on it, I bought it out pure curiosity, and based on the fact that I had loved all the criterion films I had bought before this one. I’m still amazed at how much I liked this movie.

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analogzombieanalogzombie Naked Lunch
by analogzombie in analogzombie Blog
liked it.
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"One man's journey to become a writer takes him into the darkest recesses of his subconcious. Encountering nefarious conspiracies, drug secreting aliens, living typewriters, and giant, homosexual, humanoid centipedes; Bill (Peter Weller) must navigate the mysteries of Interzone to be able to annex the lives of his friends for literary purposes.Bill is an exterminator by trade, a writer by passion. His life takes a strange turn, however, once he begins experimenting with his own bu " [More]
HairyLimeHairyLime Rabid
by HairyLime in HairyLime Blog
liked it.
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"Aside from laughably horrible acting and low budget production values, this is actually a pretty decent horror concept. An early effort from David Crononberg that echoes a lot of his recurring themes, disquieting bodily transformations, disease and societal breakdown.A young woman undergoes "radical plastic surgery techniques" and as a side effect ends up growing a strange little bloodsucking orifice in her armpit. This portion of the story is less interesting than the side effect of h " [More]
Dr_GorDr_Gor Re:Top 5 weirdest movies
by Dr_Gor in Top 5
"[quote user="seely"] Nice choices... I sometimes forget that 'weird' was invented before 1995! [quote user="LonesomeRhodes"] The two Jodorowsky films which I have seen, El Topo and Holy Mountain, make David Lynch-type weirdness seem tame. I would include those two and [More]
seelyseely Re:Top 5 weirdest movies
by seely in Top 5
"Nice choices... I sometimes forget that 'weird' was invented before 1995! [quote user="LonesomeRhodes"] The two Jodorowsky films which I have seen, El Topo and Holy Mountain, make David Lynch-type weirdness seem tame. I would include those two and [More]
LonesomeRhodesLonesomeRhodes Re:Top 5 weirdest movies
by LonesomeRhodes in Top 5
"The two Jodorowsky films which I have seen, El Topo and Holy Mountain, make David Lynch-type weirdness seem tame. I would include those two and Eraserhead as the three which leap to mind as incomprehensible (to me a " [More]
The_American_DreamThe_American_Dream Re:Weekly Theme for September 2 ...
by The_American_Dream in Weekly Theme
"I have to lay it down though that the ultimate drug in movies is marijuana as shown in "Harold and Kumar go to White Castle"; no matter how off the reservation Hunter Thompson gets, he never rode a cheetah. And neither did Lee in "Naked Lunch", another great in the drugged-up film making line, alt " [More]
Smooth_JSmooth_J Re:Weekly Theme for August 25: ...
by Smooth_J in Weekly Theme
"The Blob was overall a pretty mediocre movie, but the monster's a classic. And it's worth watching to see a 30 year-old Steve McQueen trying to mack on some high school girls, and street racing some of his fresh faced high school buddies in his hotrod. Naked Lunch had some pretty crazy monsters, in case any " [More]
All Movie Guide Logo
Review by All Movie Guide
All Movie Guide
liked it.
Given that William S. Burroughs' Naked Lunch isn't so much a novel as a collection of literary fragments that riff on corporate culture, human depravity, and sexual outrage as often as they filter the author's actual life as a bisexual, expatriate drug addict, it's a wonder the book ever became a movie at all. "Unfilmable" was the adjective most often applied, especially when it was announced that maverick Canadian director David Cronenberg would give it a shot. Cronenberg was hardly faithful to either the contents or the precise spirit of the author's nightmarishly misanthropic beat masterpiece, but he did manage to transform elements of the book and the overall Burroughs mythos into a coherent entry in his own oeuvre of stylized alienation. Most any literal description of the author's prose -- or the film's plot -- will fail to drive home the one element that makes both so enjoyable: the absurdist humor of both auteurs' visions. Talking bugs, amphibian spies, and arcane narcotics sound creepy, and they are. But as with the book itself, Cronenberg's film is full of deadpan humor that wallows in the excretory excesses of his visual metaphors while also driving home their aptness and winking all the while. It helps that his cast is so game, from the ever-shrewish Judy Davis in not one, but two tightly wound roles to the reliable Roy Scheider and Ian Holm and the too-too tight-lipped Peter Weller. The viscous special effects, vivid cinematography, and distorted period costume design all conspire to conjure up a dream-logic 1950s of squares, hipsters, and secret agents awash in neon, cigarette smoke, and junkie delirium. Cutting up the raw materials of the cut-up king himself, Cronenberg fashions a film as idiosyncratically inspired as its source material. ~ Brian J. Dillard, All Movie Guide
 

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