Murder (1930)

There is little mystery as to the identity of the killer is in this early thriller from Alfred Hitchcock, but the master still delivers enough to make the film a worthwhile viewing. Based on the play Enter Sir John by Clemence Dane and Helen Simpson and adapted for the screen by Hitchcock and Walter Mycroft, Murder! is really just a standard-issue mystery at its core. However, the director's touches and good performances add enough to the film to make it stand slightly above average. The film is broken into four sections: the murder, the trial, the investigation, and the cat-and-mouse game used to flush out the real killer. The first three parts are routine and slow, but the finale is suspenseful in trademark Hitchcock fashion. It is topped off by a shocking conclusion that the director pulls off in grand style. Herbert Marshall toplines the picture as a tormented gentleman whose guilt over helping put a young lady in the gallows prompts him to find the real culprit in the murder case for which she was convicted. Marshall hasn't got the charisma of a Cary Grant or a James Stewart, but he does a solid job playing a man whose anguish hides his feelings for the girl. Esme Percy plays the dour villain with a sullen style that seems best explained by his behavior in the conclusion. Norah Baring is very good as the death-row babe although Hitchcock may have erred by keeping the character out of the picture until more than halfway through. Some of the recognizable Hitchcock elements that turn up in Murder! include his usual amusing array of primitive psychobabble and a great shot in the opening murder sequence in which the camera pans over and slowly reveals the reactions of the witnesses, the stunned prime suspect, and finally the murder weapon and the victim. A German version titled Mary was filmed simultaneously on the same sets. Hitchcock can be seen nearly halfway through the film walking in front of the victim's complex. ~ Patrick Legare, All Movie Guide