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Mister 880
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Directed by Edmund Goulding
Based on a true story, Mister 880 is the whimsical tale of an elderly gentleman (Edmund Gwenn) who dabbles in counterfeiting. He makes only enough "funny money" to support himself, but the fact that his work is so amateurish (he can't even spell "Washington") arouses the indignation of the treasury department. Burt Lancaster, the hard-nosed treasury agent put on the case, is determined to prosecute the miscreant to the full extent of the law. In tracking down a lead, Lancaster falls in love with Dorothy McGuire, a recipient of one of the phony bills. Lancaster discovers that McGuire lives in the same building as Gwenn, and after piecing together the clues arrests the old fellow. Softened by Gwenn's naivete, Lancaster and Ms. McGuire arrange for a compassionate lawyer to lessen what would otherwise be a stiff prison sentence. Mister 880 was to have starred Walter Huston as the ingenuous counterfeiter, but Huston died just before filming started. ~ Hal Erickson, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
Anyone who takes Mr. 880 seriously will probably find it to be on shaky moral grounds, which is exactly why one should go out of one's way to not take it seriously. 880 was intended as a piece of fluff, a light and gentle little piece of whimsy, and when viewed as such, it is, simply put, a darlin' little film. Robert Riskin's screenplay floats on air, but it has a nicely solid structure underneath it that just manages to keep it sufficiently grounded. The screenplay is plain likeable, and the characters that inhabit it never fail to engage our interest. The putative leads, Burt Lancaster and Dorothy McGuire, are a fine couple to while away the time with, and it's a delight to see Lancaster in one of his few comedic roles. But the real and undisputed star of the show is Edmund Gwenn, whose performance gives new meaning to "endearing." There's so much sheer charm to the man that one can easily neglect to notice how skillful and precise his acting is. His touch is unerringly right, and that comes as much from talent as from personality. Director Edmund Goulding deserves credit as well, for knowing how to push a scene just so far and no farther, and for knowing exactly how to serve the sweet little bon bon of a comedy. 880 isn't terribly often, so viewers should make a point of catching this fine little film whenever they can. ~ Craig Butler, All Movie Guide
 

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