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Mississippi Masala
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Directed by Mira Nair
Mississippi Masala is a tale of how prejudice makes victims and instigators of us all. In 1972, Indian Jay (Roshan Seth), a resident of Uganda, is forced by the bigoted Amin regime to take his family and flee the country. He vows to hate and distrust all blacks--at least until he is able to reclaim the real estate stolen from him by the Ugandan government. Flash-forward to 1990: Jay and his family have settled in Mississippi. Seth's daughter Mina (Sarit Choudhury) makes the acquaintance of African-American Demetrius (Denzel Washington), the prosperous manager of a carpet-cleaning business. At first attracted to Mina because he is fascinated by her African background, Demetrius slowly falls in love with her. The situation causes Jay to exercise the same racial prejudice by which he was himself victimized. Ironically, Demetrius behaves just as foolishly, blaming Jay's ethnic chauvinism for a drop in his business. Both Jay and Demetrius must learn to bury their pasts and their prejudices to go on with their lives. ~ Hal Erickson, All Movie Guide
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All Movie Guide
is neutral about it.
During a tour of the Deep South in 1988, director Mira Nair learned that a number of Indian immigrants were operating motels in the area, an experience which became the inspiration for this lively, seductive tale of interracial romance. Sarita Choudhury stars as Mina, the daughter of previously affluent Indian immigrants who run a motel in Mississippi. When her voluptuous beauty catches the eye of rug-cleaning contractor Demetrius (Denzel Washington), love blossoms, but the lovers' families are less than enthusiastic. While the film centers on a hot romance, it's also a fascinating study of a unique immigrant community with a richness of detail that borders on the ethnographic, as well as a telling examination of class and status anxiety. The smoldering, sensual attraction between the two leads has such an explosiveness that it's clear they were meant to be together. Yet to her father (Roshan Seth), a former lawyer who still dreams of his beautiful house on a hill in Uganda, this rug man is simply a creature from a lower caste. The director touches gently on the irony of this discrimination being practiced in an area synonymous with racial strife, and by a man who is subject to the same kind of exclusion by whites. Indeed, considering its serious subject, Nair never forgets the humorous aspects of the situation. Washington and Chourhury are wonderful as the almost impossibly attractive couple, and Seth is memorable in a difficult role. ~ Michael Costello, All Movie Guide
 

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