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Miller's Crossing
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Directed by Joel Coen
Joel and Ethan Coen's third collaboration, the gangster film Miller's Crossing, stars Gabriel Byrne as Tom Reagan, the right-hand man of big-city Irish mob boss Leo (Albert Finney). The film opens with Italian mobster Johnny Caspar (Jon Polito) and his second in command Eddie Dane (J.E. Freeman) informing Leo and Tom that they are going to kill bookie Bernie Bernbaum (John Turturro) because he has been revealing Caspar's fixed fights to other gamblers. Leo informs Caspar that Bernie pays for protection and is not to be touched. After the Italians leave in a huff, Tom informs Leo that he should give up Bernie. Tom and Leo are both involved with Verna (Marcia Gay Harden), Bernie's sister. After a failed hit on Leo starts a full-scale mob war, Tom reveals to Leo the truth about his relationship with Verna. This leads to a falling-out between the pair. Tom goes to work for Caspar, but in truth, he is still loyal to Leo. Tom figures out how to manipulate all of the situations so that Leo survives, but this may cost Tom his relationship with Verna. ~ Perry Seibert, All Movie Guide
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CaptainRyannnCaptainRyannn Burn After Reading
by CaptainRyannn in CaptainRyannn Blog
loved it.
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"Well, let me start off by saying that I originally saw this two weeks ago and loved it. So I decided to go back and see it again. The Coen Brothers seem to have formed a pattern that has worked for them over the years. After putting out a serious film, the switch gears to a comedy one. Blood Simple brought [More]
rjspraguerjsprague My worthless review of Miller's ...
by rjsprague in Grog and Blog
loved it.
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"This film was definitely worth watching. I won't bother to put qualifiers on that. There have been few mobster flicks that had as little killing as this one, but that offered such an interesting set of characters, and plot twists. I thoroughly enjoyed it from the beginning to the end. " [More]
SpoutBlogSpoutBlog 10 Underappreciated Coen Bros. ...
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
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"Everybody remembers the bigger name Coen Bros. regulars, such as John Turturro, Steve Buscemi, John Goodman, Frances McDormand, Billy Bob Thornton and now George Clooney. And of course, there are the one-shot stars, like Nicolas Cage, Gabriel Byrne, " [More]
Smooth_JSmooth_J HATS
by Smooth_J in Smooth_J Blog
loved it.
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"I finally got around to seeing Miller's Crossing, and I was actually very surprised. Not about how good it was, but how toned down the typical Cohen's themes were. It was, all in all, a conventional gangster flick. There were the undertones and the symbolism and all that stuff, but none quite as prominent as in their other movies, such as [More]
Amc35JRAmc35JR Classic gangster film
by Amc35JR in Amc35JR Blog
loved it.
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"This is a great gangster film and should be considered a classic for the dialogue alone. Tom Regan, bursting into a room of scantily clothed showgirls, "Close your eyes, ladies, I'm coming through." Tom Regan going back into the bedroom with Myrna after just conversing with his boss and her lover Leo and Myrna asking what him what he told Leo: "I told him you were a tramp and he should dump you." Tom after being informed that Rug Daniels had jus " [More]
RisseladaRisselada Re:Which of these films from Ke ...
by Risselada in Movie Polls
"Here are some more if anyone cares: 8. Stanley Kubricks's 'Napoleon' Riding high on the critical success of 2001: A Space Odyssey (1968), Kubrick believed that he had MGM in the palm of his hand, and was finally in a position to make 'the one film I've always wanted to make, the life of Napoleon'. He was almost right: Napoleon came so close to being shot that " [More]
leeroy711leeroy711 Re:Weekly Theme for November 3: ...
by leeroy711 in Weekly Theme
"I also remember being surprised by this one. In Ocean's Twelve, Brad Pitt and George Clooney have a discussion in which they talk about a scene in one of my all time favorites, Miller's Crossing. I think that's something I kinda like to see: when a mainstream movie makes " [More]
leeroy711leeroy711 Criterion Predictions
by leeroy711 in Criterion Collection
"From the Criterion FAQ page: How does Criterion decide which films receive the “Criterion Treatment”? We aim to reflect the breadth of filmed expression. We try not to be restrictive or snobby about what kinds of films are appropriate. An auteur classic, a Hollywood blockbuster, and an independent B horror film each has to be taken on its own terms. All we ask is that each film in the collection be a " [More]
lopezdashlopezdash Re:Desert Island
by lopezdash in Movie Games
"[quote user="leeroy711"]I think Ive got it: Miller's Crossing - I've sat through this movie soooo many times, I don't think I could go very long without watching it. Fiddler On The Roof - I have to through a musical in there, that way if the island happens to be populated with " [More]
leeroy711leeroy711 Re:Desert Island
by leeroy711 in Movie Games
"I think Ive got it: Miller's Crossing - I've sat through this movie soooo many times, I don't think I could go very long without watching it. Fiddler On The Roof - I have to through a musical in there, that way if the island happens to be populated with monkeys, I could train t " [More]
All Movie Guide Logo
Review by All Movie Guide
All Movie Guide
liked it.
For their third feature, Miller's Crossing (1990), Joel Coen and Ethan Coen focused their film-literate gaze on the gangster genre, blending it with the film noir legacy they first explored in Blood Simple (1984). Set during Prohibition, the film evokes 1930s gangster film classics and Dashiell Hammett novels in its portrayal of Irish and Italian gangsters and the conflict touched off between them by a complicated web of betrayals involving a sinister crime boss (Albert Finney), his right-hand man (Gabriel Byrne), and a glib bookie John Turturro. Barry Sonnenfeld's shadowy cinematography lends a somber cast to the events, while set pieces like the forest execution and a chandelier-splintering shoot-out to the strains of "Danny Boy" revel in the Coens' talent for combining violence, drama, and high style. Though a few dissenters viewed Miller's Crossing as all surface and no substance, critics were impressed by the strong cast -- especially Turturro and Finney -- and bravura technique, declaring that the Coens had fully come into their own as filmmakers. The writer's block the Coens reportedly suffered while working on the screenplay became fodder for their next film, Barton Fink (1991). ~ Lucia Bozzola, All Movie Guide
 

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