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Me and You and Everyone We Know (2005)
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All reviews for Me and You and Everyone We Know
10 Most Romantic American Films ...
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"Is romance dead? David Carr seems to think so, at least in American cinema (both Hollywood and “Indiewood,” as he inclusively clarifies). While celebrating the subway station meet-cute from the beginning of Milk, a scene he claims to be of an increasingly rare sort, Carr states that American filmmakers “can do romantic pathology and entropy, but the kind of love for the ages, a big-movie kind of love? Not so much.” If you agree with him, blame the back-to-back Best Picture winners Titanic and Shakespeare in Love for feeding us the kind of romance that’s so cheesy it clogs our arteries and gives us a coronary. Left with a burst heart and a lack of quality Nora Ephron movies, most of us have been cynics when it comes to love stories these past ten years. Yet cynics can still be swept off their feet, and American filmmakers h "
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Me and You and Everyone We Know ...
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pippin06
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Reel Thoughts
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"This lengthily titled film represents the last true indie I have for a while on my Netflix queue, which is fine. I like to vary it up, and I've been trying to mix AFI movies with my regular queue, all depending upon where I am in the order of watching them, simply to get a taste of different films. Truthfully, I'd never heard of this film until I started trolling around on Spout. So, here's a plug for the reverent Spout.com: you can really learn about films you might not have otherwise heard about because the user base is so diverse and eclectic in its film-loving tastes. Just troll through the "community buzz" section of the Movies tab and see what people are talking about. My want to see list has grown exponentially thanks to that exercise. I digress. I read the plot summary to this film and some of the reviews and felt I needed to watch it when Netflix recommended it to me, thinking I would like it. Thus, here we are. And I did like it. I didn't love it, but I liked it. ... "
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Week 29.
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CaptainRyannn
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CaptainRyannn Blog
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1 out of 1 people found this review helpful.
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"Since January 1st, 2008, I've been keeping track of all the films I've watched. Because I don't feel like taking the time to highlight each movie up until this point, I will start at the previous week, Week 29 and continue from now on. 328. The Dark Knight (2008) -My second time seeing it. Such a great movie. Although not good enough to be considered 'best film of all time'. 329. Teeth (2007) -The storyline attracted me to it. Within the first 20 minutes I wanted it to be done. I hated this thing so much. 330. Heima (2007) -Such a beautiful documentary for such an amazing band; Sigur Ros. Check them out if you haven't yet. 331. La Haine / Hate (1995) -One of the best French films I've seen. If there's one thing I'll remember about this movie years from now, it'll be the ending and how shocked I was after it was all said and done. 332. À ma soeur! / Fat Girl (2001) -There was something sad in the "
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Sundance Trailer: ‘Goliath’
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"From what I hear, everyone is talking about Goliath, a film by the Zellner Brothers that premieres at Sundance this evening. But after watching the trailer, I have to wonder what has people so excited. Sure, I think it looks cheap and funny in a Me and You and Everyone We Know sort of way — which isn’t a gripe, as Miranda July’s film was my favorite at the festival back in 2005 — but it also looks like something homemade and bound for YouTube, and I’m not the only person on the internet to say so. Fortunately, the film has support from the right people. On the Goliath Facebook page, SXSW producer Matt Dentler commented that it’s “an awesome, awesome movie. Truly.” But Sundance is very different from Austin, and just because the Zellner Brothers have a loyal following back home doesn’t mean they’ll succeed in Park City. Then again, after excitedly watching Me and You three years ago, I never thought it was going to catch on with other people at Su "
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Harold Buttleman, Daredevil Stu ...
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"Spout’s partnership with Four Eyed Monsters and YouTube has been a grand success, yielding over 37,000 new members for Spout, and over $37,000 for the film’s creators. Now we’ve launched a similar partnership behind a very different film. Harold Buttleman, Daredevil Stuntman is a comedy about a would-be Evel Kneivel, starring John Hawkes (of Me and You and Everyone We Know and the upcoming Wristcutters: A Love Story), Karen Black and Dan “voice of Homer Simpson” Castellaneta. The film toured the festival circuit and won a number of awards in 2003-2004 (before Hawkes became known for Me and You and Deadwood), but like so many self-produced indies, remained undistributed. Then, earlier this year its director,
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Me and You and Everyone We Know ...
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ifuhadbeenadog
in
I find myself in villans
hasn't rated it.
1 out of 1 people found this review helpful.
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"The first time I saw Me and You and Everyone We Know was on DVD a couple of summers ago. I liked the movie and I wanted to find out more about Miranda July. I bought her book No One Belongs Here More Than You. I haven't read it yet. Then I took a class at Columbia College in Chicago where we screened Me and You and Everyone We Know. The second time around, I loved the movie even more. I don't know why. Was it because I watched it with a bunch of other kids and we all responded to the movie in much the same way? I hate 20-something kids, though. They're boring as fuck. So that wasn't it. Maybe it was because it was projected on a big screen...I don't know. But I do know I like it because it strattles between absurdity and absolute honesty and truth. The reality in the movie, at first, seems questionable. But the more you look at it, the more it seems perfectly true. Everything is given out in poetry in the movie. But it doesn't seem too dramatic. It's seems totally natural. I like n ... "
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Call me if you ever feel too ol ...
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Go-Ape
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Go-Ape Blog
liked it.
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"I really liked this film, but it's another one that I have to be in the right frame of mind to watch. It is a very endearing film with well fleshed out characters who hit all the right nerves and create a real connection with the audience. This is like a more indie Lost In Translation really. It is witty and funny in places but it also deals with some more interesting themes and issues such as the internet culture and chat rooms etc. wherein his very young son makes a date with a woman who is into some rather strange things through something he saw as a joke. I like how the relationships between the characters build throughout thr film, especially the bond between the two kids cause the older brother takes time to help his younger brother and messes around with him - supplying some support that seems missing from his father. All in all, I think it's a good film that's well worth a watch but be aware that it is not an overly cheerful film, but it is interesting and ... "
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we all should love this film
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hensdill
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hensdill Blog
loved it.
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"an amazing feature from Miranda July. full of fantastic dialouge and great ideas. one of the most rewarding independents in a very long time... in our top 50 of all times!!! "
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))><((
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analogzombie
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analogzombie Blog
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"Surely to be compared to Lost in Translation, Me and You and Everyone We Know, is not quite deserving of that comparison, but it fits. Both films are about lonely people searching for meaning in love and life. But Miranda July's debut film is not as confidant or as refined as Coppola's.The movie sticks to the new indie crossover film standard of quirky characters, quirky dialogue, and everyday events and people that have a slightly ironic bend. The primary story of Chrisine's (played by writer/director July) attempts to connect with a seperated shoe store salesman (that skinny guy from HBO's Deadwood), is supported with a mirror story of the shoe store salesman's two sons, and their adventures in love. One with a couple neighborhood girls, the other with an online pervert who may or may not actually be female. This secondary story, and the two minor subplots that are meant to support the primary Christine story, end up detracting from the film in their contivedn ... "
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Me and You and Everyone We Know
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MovieBabe
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MovieBabe Blog
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"By Tricia Olszewski No one is too young, too old, too worldly, or too simple-minded to aspire to love and connectedness in Miranda July’s feature debut, Me and You and Everyone We Know. A tapestry of stories knits together characters ranging from a young boy to lonely 30-somethings to an elderly man, each struggling to understand What It’s All About. July, a performance artist and indie scenester who also wrote the script and stars, portrays each of her seekers as wide-eyed and dumbstruck—forever in awe at the beauty and sadness all around. Of course, that’s the kinder view. The more cynical might find July’s grand vision less thought-provoking than precious and her slack-jawed actors—well, just plain irritating. Handily, prospective viewers can judge their stomachs for July’s film with what I’ll call the Goldfish Test. Imagine this: July’s character, Christine, is shuttling a senior citizen, Michael (Hector Elias), home after ... "
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