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McCabe & Mrs. Miller
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Directed by Robert Altman
Memorably described by Pauline Kael as "a beautiful pipe dream of a movie," Robert Altman's McCabe and Mrs. Miller reimagines the American West as a muddy frontier filled with hustlers, opportunists, and corporate sharks -- a turn-of-the-century model for a 1971 America mired in violence and lies. John McCabe (Warren Beatty) wanders into the turn-of-the-century wilderness village known as Presbyterian Church, with vague plans of parlaying his gambling winnings into establishing a fancy casino-brothel-bathhouse. McCabe's partner is prostitute Mrs. Miller (Julie Christie), who despite her apparent distaste for McCabe helps him achieve his goal. Once McCabe and Mrs. Miller become successful, the town grows and prospers, incurring the jealousy of a local mining company, who wants to buy McCabe out. Filmed on location in Canada, McCabe and Mrs. Miller makes use of such Altman "stock company" performers as Shelley Duvall, Rene Auberjonois, John Schuck and Keith Carradine. The seemingly improvised screenplay was based on a novel by Edmund Naughton and the movie features a soundtrack of songs by Leonard Cohen. McCabe and Mrs. Miller joined such other Altman efforts as MASH, The Long Goodbye, and Thieves Like Us in radically revising familar movie genres for the disillusioned Vietnam era. ~ Hal Erickson, All Movie Guide

interview with Vlimos Zsigmond about McCabe and Mrs. Miller.

Aaron interviews cinematographer, Vlimos Zsigmond, following a screening of Robert Altman's film, McCabe and Mrs. Miller.
(11/12/2006 Starz Denver Film Festival)


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Review by All Movie Guide
All Movie Guide
loved it.
Deconstructing the Western, Robert Altman's McCabe & Mrs. Miller (1971) defied conventional myth-making with an oblique narrative steeped in Vietnam-era mistrust of American institutions. Shooting on location in Canada on a haphazard set built as filming progressed, Altman upended Western clichés of heroic Progress in an environment that was authentically rough, even as it evoked the muddy mires of Vietnam. Warren Beatty's McCabe was more buffoonish dreamer than powerful gunfighter, while Julie Christie's business-minded hooker Mrs. Miller had a heart of opium; Altman's widescreen zoom shots and soundtrack of overlapping voices and haunting Leonard Cohen songs downplayed McCabe's presence amid peripheral action and characters. The incursion of corporate interests on McCabe's success seems almost incidental, but the sudden eruption of pointless violence and a lawyer's hypocrisy about freedom and sacrifice reveal McCabe's doom. With cinematographer Vilmos Zsigmond's grainy, desaturated colors lending the interiors an orange-brown glow that contrasted with the hazy green-gray exteriors, Altman eschewed heroic frontier vistas in favor of a murky, hallucinatory beauty, particularly in McCabe's snowbound, eerily quiet final shoot-out. Confounding viewers with its layered soundtrack and tonal shifts, McCabe & Mrs. Miller failed to catch on; it has since come to be seen as one of the period's best revisionist Westerns and one of the most poetic and elegiac genre revisions of the 1970s. ~ Lucia Bozzola, All Movie Guide
 

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