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Matinee
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Directed by Joe Dante
John Goodman's full-throttle performance as a William Castle-inspired schlockmeister propels Joe Dante's delightful and charming comedy Matinee. The film takes place during the November 1962 Cuban Missile Crisis, a time when America's innocence began to crumble. Goodman plays film producer Lawrence Woolsey, who is in Key West to premiere his latest horror epic, "Mant," the story of a man who turns into a giant insect ("Half Man! ... Half Ant! ... All Terror!"). He's busy rigging the local movie theater with all manner of gimmicks, such as Atomo-Vision and Rumble-Rama, and stationing a buxom nurse -- played by Woolsey's girlfriend and leading lady Ruth (Cathy Moriarty) -- in the lobby to assist potential heart attack victims. Amidst all the hubbub, a quartet of local teenagers gear up for the big premiere: Gene (Simon Fenton), a Navy brat whose father is on alert for the duration of the crisis; Stan (Omri Katz), Gene's friend who has a furious crush on Sherry (Kellie Martin); and Sandra (Lisa Jakub), the daughter of two beatnik free-thinkers. As the premiere of "Mant" gets closer and Soviet-U.S. tensions increase, the four teenagers' problems and desires also mount to the boiling point. ~ Paul Brenner, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
Joe Dante is a guy who loves his exploitation films, as anyone who has read his early writings for Famous Monsters of Filmland or Film Bulletin knows, and his 1992 feature Matinee is a delightful and heartfelt valentine to the gimmicky low-budget schlock of his youth. John Goodman, a fine comic actor who is rarely used well onscreen, is (for a change) perfectly cast as big and blustery Lawrence Woolsey, a low-rent showman who is sincere and honest about only one thing -- giving the audience what they came for. While Woolsey is obviously meant to stand in for the great gimmickmeister William Castle, at the same time he seems the embodiment of every low-budget would-be mogul who struggled to get his movies seen by popcorn-eating crowds across the nation, and Goodman's engaging performance makes even his crassest hucksterism endearing. (He also has a fine foil in Cathy Moriarty, the least convincing fake nurse in film history.) Simon Fenton is also funny and engaging as Gene Loomis, the youthful monster movie fan who gets to know the great Lawrence Woolsey as he arrives in Florida to open his latest picture, Mant! (which, starring Robert Cornthwaite, Kevin McCarthy, and William Schallert, would probably be a pretty good movie), as the Cuban Missile Crisis threatens to end the world as everyone knows it. And while Dante does pass along a semi-serious message about the importance of fun scares in a terrifying world, he seems to be having a great time invoking the "are the Fifties really over yet?" vibe of 1962, as kids listen to Lenny Bruce records on the sly, juvenile delinquents ape the method-acting angst of James Dean and Marlon Brando, and the local beatnik couple would never dare be seen in public without their copy of Jack Kerouac's Dr. Sax. Matinee manages the neat trick of being genuinely nostalgic without being sappy about it, and understanding the adolescent mind without seeming immature; it's funny, charming, and a must for anyone who loves '50s and '60s scare flicks. ~ Mark Deming, All Movie Guide
 

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