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Matewan
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Directed by John Sayles
Independent filmmaker John Sayles creates one of his more artistic works with this period feature about a volatile 1920s labor dispute in the town of Matewan, West Virginia. Matewan is a coal town where the local miners' lives are controlled by the powerful Stone Mountain Coal Company. The company practically owns the town, reducing workers' wages while raising prices at the company-owned supply and grocery. The citizens' land and homes are not their own, and the future seems dim. When the coal company brings immigrants and minorities to Matewan as cheaper labor, union organizer Joe Kenehan (Chris Cooper) scours the town to unite all miners in a strike. As the crisis grows, strikers and their families are removed from their homes by two coal company mercenaries (Kevin Tighe and Gordon Clapp, both also featured in Sayles' Eight Men Out (1988)), and the situation heads toward a final shootout on Matewan's main street . Sayles' simple but telling screenplay brings to light the treatment of immigrants and minorities in the early 20th century South, and it draws sharp parallels between the Matewan labor battle and the Civil War some 50 years earlier. The visual feel of the film is real West Virginia backwoods, with much of the credit going to legendary cinematographer Haskell Wexler, whose warm, rustic lighting belies the anxiety and terror felt by the oppressed townspeople. ~ Norm Schrager, All Movie Guide
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SpoutBlogSpoutBlog Strike Scraps, 11/01/07
by SpoutBlog in SpoutBlog on spout.com
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"There’s gotta be a whole panoply of emotions swirling through Hollywood in advance of the strike–anger, frustration, exhilaration–but here on the internet (ironically, one of the contested spaces from wh " [More]
paulpaul Matewan
by paul in paul on spout.com
loved it.
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"Matewan David Webb Peoples, the screenwriter for Unforgiven (1992), drew the bulk of his research For that film from a book called The Shooters (1976). Among many misconceptions that the book debunks about the Old West is that of The Outlaw. The typical convention around outlaws in the movies basically follows this path: 1. Outlaw comes to town.2. Timid townsfolk don't want any troub " [More]
HairyLimeHairyLime The Brother From Another Planet
by HairyLime in HairyLime Blog
loved it.
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"Early John Sayles film that I saw once years and years ago, and then revisited again recently. It still holds up pretty well. Joe Morton gives an outstanding understated performance without uttering a sound, and the endless parade of oddball characters he comes into contact with throughout the movie are wonderful little set pieces, expecially the regulars at the bar where a lot of the action takes place. As usual with Sayles, he can say much more on a limited buget than movies three tim " [More]
weanjoe1weanjoe1 matewan
by weanjoe1 in weanjoe1 Blog
loved it.
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"a must see " [More]
paulpaul Fritz Lang's M
by paul in paul on spout.com
loved it.
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"M One of the basics of screenwriting is to establish the hero's world in your story and then throw off that world's equilibrium. Dorothy loses her dog, Luke loses his droids, and Dumbo's born with a birth defect. In Fritz Lang's M, a little German town has a serial killer on the loose. Made in 1931, M established many conventions that would become staples in the Psychological Thriller genre. However, unlike " [More]
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Review by All Movie Guide
All Movie Guide
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Writer-director John Sayles specializes in recasting American history through the eyes of overlooked working-class heroes, and his story of striking West Virginia coal miners in the 1920s is one of his most polished and accessible achievements. Based on a bloody battle in the town of Matewan, the film examines labor unions from a critical perspective, shedding light on racial and cultural attitudes that hampered the movement. James Earl Jones gives a powerful, minimalist performance as the miners' leader. Sayles appears in a minor role, as he often does in his own films, as a conservative minister who preaches against the union organizers. Thanks to cinematographer Haskell Wexler, the film is visually rich. Sayles's dialogue and the period settings and costumes are wonderfully authentic, and the customary low budget of a Sayles movie never seems obvious. ~ Michael Betzold, All Movie Guide
 

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