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Masters of Horror: Incident on and off a Mountain Road
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Directed by Don Coscarelli
The Showtime series Masters of Horror opens with Phantasm director Don Coscarelli's Incident on and off a Mountain Road, based on a short story by Joe R. Lansdale, who also wrote the story on which Coscarelli's Bubba Ho-Tep was based. As the tale opens, Ellen is driving on the eponymous twisty and remote road in the middle of the night, when she takes her eyes off the road for a moment and plows into another car. Waking up a short time later, she goes to check the other car, and finds a trail of blood leading to the side of the road. She calls out to see if anyone needs help. It's soon apparent that someone does, and that someone is Ellen. There's a gruesome giant of a man (John De Santis) dragging another girl up toward the road, and Ellen quickly realizes that her life's in danger. She flashes back to the training she received from her boyfriend, Bruce (Ethan Embry), a survivalist who brought her to live with him in his cabin in the woods, and bullied her into learning how to defend herself. She runs into the woods, and sets a trap for the madman, injuring him, but this only seems to spur him on. Eventually, he catches up with Ellen and brings her back to his lair. There, she meets a demented elderly man in a wheelchair named Buddy (Angus Scrimm, the Tall Man from the director's Phantasm films), who explains that the madman must like something about her to let her live so long. Looking about the creepy abode, filled with the eyeless corpses of previous victims, Ellen can see for herself that her chances of surviving are not good. But she's determined to use everything Bruce taught her and get through this terrifying night. ~ Josh Ralske, All Movie Guide
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dibotdibot Masters of Horror Marathon Part 1
by dibot in dibot Blog
liked it.
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"I had a little Masters of Horror marathon with the Roku. It's a really amazing show. Genre directors do an hour long "episode," and it's on Showtime, so there's no holds barred scares, disturbing images and gore.It may seem weird to do reviews for episodes of a television series, but they felt like films. And I'm treating them as such. Except they're getting pretty short reviews.The first of my viewings was [More]
JJ79JJ79 Incident On and Off a Mountain ...
by JJ79 in JJ79 Blog
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lukasblulukasblu masters of horror fans
by lukasblu in suspense-thriller-mystery-horror
"which ones(showtime original 1hr. shows of horror) have you seen? and which one is your fave or highly recomend,MUST see ?i have seen:Right to Die (2007) , Family (2006) ,Fair Haired Child (2006), Pick Me Up (2006) , Chocolate (2005) , Homecoming (2005), Incident on and off a Mountain Road (2005)[More]
lukasblulukasblu Re: Masters of Horror
by lukasblu in HORROR MOVIES 101
"yes i have rented and watched masters of horror series;my favorite ones are pick me up,family(everyone that i know that has seen this one liked it),and fair haired child;< " [More]
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Review by All Movie Guide
All Movie Guide
lost interest.
"Do the unexpected," Ellen (Bree Turner) exhorts herself while being chased through the woods by a superhuman madman (John De Santis) in Don Coscarelli's Incident on and off a Mountain Road. Coscarelli doesn't really follow that advice so much in this first episode of Showtime's highly anticipated Masters of Horror series. In fact, it's only knowing the quality, in general, of the episodes that follow this one that leads one to appreciate Coscarelli's relatively workmanlike, straightforward work here. Incident doesn't break any new ground for TV horror. It's the standard cadaver-collecting-lunatic-stalking-a-surprisingly-resourceful-beautiful-young-woman motif, but the execution is slightly above average in terms of direction, writing, and acting. Coscarelli, as is usually the case with his work, eschews verisimilitude in favor of a broadly stylized and fantastic approach to the material. The comic book-like approach helps overcome the level of disbelief spurred as lovely Ellen succumbs to the charms of nutball survivalist Bruce (Ethan Embry) in the flashbacks. For his part, Embry is able to suggest a vulnerability and a genuine warmth toward Ellen beneath the paranoid wacko exterior, which helps. The inherent misogyny of the scenario is greatly ameliorated by the requisite surprise twist at the end, which here, as is rarely the case, genuinely surprises and puts everything that came before it in a new light. ~ Josh Ralske, All Movie Guide
 

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