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Masculin/Feminin (1966)
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All reviews for Masculin/Feminin
ROSENCRANTZ & GUILDENSTERN ARE ...
by
Karina
in
Karina on SpoutBlog
hasn't rated it.
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"Jordan Galland, director of Rosencrantz and Guildenstern Are Undead, truly has every press hook a Slamdance filmmaker could ask for, from the ample involvement of celebrity children (Jake “Son of Dustin” Hoffman stars, Bijou Phillips has a cameo and Sean Lennon composed the score), to, of course, the fantastic title recalling mid-century “poster first, script later” schlock horror (which, according to Wikipedia, Galland came up with at age 14 — yet another angle!). The director also has the foolhardy balls (or is it savvy?) to admit that his film was influenced by both Masculin Feminin and
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ROSENCRANTZ & GUILDENSTERN ARE ...
by
SpoutBlog
in
SpoutBlog on spout.com
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"Jordan Galland, director of Rosencrantz and Guildenstern Are Undead, truly has every press hook a Slamdance filmmaker could ask for, from the ample involvement of celebrity children (Jake “Son of Dustin” Hoffman stars, Bijou Phillips has a cameo and Sean Lennon composed the score), to, of course, the fantastic title recalling mid-century “poster first, script later” schlock horror (which, according to Wikipedia, Galland came up with at age 14 — yet another angle!). The director also has the foolhardy balls (or is it savvy?) to admit that his film was influenced by both Masculin Feminin and
[More]
Jeff Goldblum: The Media Diet, ...
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SpoutBlog on spout.com
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"Jeff Goldblum is at Telluride to promote his new film, Adam Resurrected, directed by Paul Schrader. The film follows the story of a Holocaust survivor who also happens to be a clown. Committed to an asylum after the war, he becomes a ring leader of sorts. On the opening day of the festival Goldblum was graciously hugging young fans and striking odd poses for snap-shots. We got a chance to ask him about his media intake, which includes a substantial amount homework from Schrader. Spout: What movies have you seen and enjoyed lately? Jeff Goldbloom: I’ve gone to the movies theaters recently and saw two movies I really enjoyed. The Woody Allen movie, Vicky Cristina Barcelona, I had a very very good time at that, loved that. Then I saw this documentary called Man on Wire. It’s really, really good, I enjoyed that to no end. Spout: Have you been watching anything lately on television that ha "
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Coca-Cola Cinema
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"This morning I was watching Billy Wilder’s One, Two, Three (see, readers, I do know movies before 1990), and it made me wonder if Coca-Cola is the most cinematic commercial product in the history of film. Not the most prominent in film, necessarily (in terms of either direct product placement or more casual indirect appearance,) but at least the most significant to film. After all, Coca-Cola did own a movie studio (Columbia Pictures) for the greater part of a decade (the 1980s). In addition to One, Two, Three, which is about a Coca-Cola executive in West Berlin, the soft drink figures specifically in and fundamentally to the plots of The Gods Must Be Crazy, Good Bye Lenin! and, obviously, The Coca-Cola Kid. But primarily, such direct incorporations of the brand are more about their connection to the U.S. and capitalism than they are to the "
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BlogNosh 11/01/07
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SpoutBlog
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SpoutBlog on spout.com
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"Lady Wakasa makes a strong case in defense of Lust, Caution. “It’s true that there are elements in the story that won’t be clear to some Western audiences…There are universalities that can be picked up: about the effects of environment and upbringing, about the nature of love, about what in relationships is and isn’t an act, how war is hell with a twist. But these universalities are filtered through a Chinese lens. As such, I think it’s up to the Westerners to go the extra mile and fill in blanks they find. The shoe on the other foot, to a certain degree.” The Shamus thought Contempt was “about nothing more than the pneumatic perfection of Brigitte Bardot’s ass,” but a later Godard film went over much better. “Masculin-Feminin strikes me as a Warhol-esque montage of the ’60s as we wanted them to truly be, with more going on under the surface than we might want to admit.” A holdover from the heady days immediately following Dumbledore’s outing … you know, last week:
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Masculin Feminin
by
sarcastig
in
As cool as a Fruitstand
liked it.
1 out of 1 people found this review helpful.
[What do you think?]
"This is certainly a milestone in my cinematic education: my very first Godard. I checked. In my defence, his films are not easy to get a hold of, and they're not exactly the kind of films often shown on Dutch television. So when I saw that Masculin Feminin was on sale for a mere ten euros, I decided to ignore my resolution not to buy any more DVD's until I'd seen all those I already have, and gave myself a holiday present. (actually, two: they had Drugstore Cowboy for 6 euro. Who could resist?)All this, of course, to build up anticipation for the crucial question: what did I think?Aside from how refreshingly bizarre and unpredictable I found it, I'm not quite sure yet. There's simply too much to it, I think, to absorb in just one sitting, and I mean that as a good thing. It's a portrait of an age and of a generation, but I'm not sure what exactly it says about that age, that generation. There's affection in how Godard portrays his protagonist, Paul, but also some detachment, a cert ... "
[More]
Masculin Feminin
by
sarcastig
in
As cool as a Fruitstand
liked it.
Was this review helpful?
[Be the first to tell us!]
"This is certainly a milestone in my cinematic education: my very first Godard. I checked. In my defence, his films are not easy to get a hold of, and they're not exactly the kind of films often shown on Dutch television. So when I saw that Masculin Feminin was on sale for a mere ten euros, I decided to ignore my resolution not to buy any more DVD's until I'd seen all those I already have, and gave myself a holiday present. (actually, two: they had Drugstore Cowboy for 6 euro. Who could resist?)All this, of course, to build up anticipation for the crucial question: what did I think?Aside from how refreshingly bizarre and unpredictable I found it, I'm not quite sure yet. There's simply too much to it, I think, to absorb in just one sitting, and I mean that as a good thing. It's a portrait of an age and of a generation, but I'm not sure what exactly it says about that age, that generation. There's affection in how Godard portrays his protagonist, Paul, but also some detachment, a cert ... "
[More]
My first "Portable Cinema& ...
by
patches
in
Litter Box blog
hasn't rated it.
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"I saw this for the first time at the Sixth Street Bridge park, my first Portable Cinema experience. It's a interesting slice of French youth in the 60's. I didn't fall asleep either. "
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