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Marty
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Directed by Delbert Mann
Paddy Chayefsky's Oscar-winning slice-of-life drama is a heartwarming story about Marty Pilletti (Ernest Borgnine), a lonely Bronx butcher. Marty is a burly but gentle man, easing into middle age without much hope for romance or a career. He lives at home with his mother (Esther Minciotti), a kind but life-smothering woman, and a small circle of dead-end friends. Marty has no self-confidence and feels he's dumpy and unattractive. While it takes some doing, Marty's friends finally convince him to go to a local dance with them and try to pick up girls. At the dance he meets a plain-looking schoolteacher named Clara (Betsy Blair), whose life appears to mirror his own. He asks Clara to dance and soon they are dating. But to Marty's surprise and frustration, his friends put her down and his mother is hostile to her. Swayed by his friends and his mother, he doesn't call Clara back. But sitting alone at home watching television one night, Marty decides he has had enough, and defying his enclosed little world, he picks up the phone and gives Clara a call. As Marty shouts to his friends, "You don't like her. My mother don't like her. She's a dog. And I'm a fat, ugly man. Well, all I know is I had a good time last night ... You don't like her? That's too bad!" ~ Paul Brenner, All Movie Guide
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davebraydavebray One of the best
by davebray in davebray Blog
hasn't rated it.
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"I watched this movie last night for my second time. I'd only caught the last couple scenes the first time I viewed it, so I was delighted to start from the beginning. Truly, Ernest Borgnine deserved the Oscar he was awarded, as he fit he role like it was written for him. There was so much within the story that fits our lives today: a mother who is afraid to live alone, a son, Marty, who doesn't think there is a woman who likes him, a daughter, Clara, who&nb " [More]
JakeStevensJakeStevens Underappreciated "Shortest" Bes ...
by JakeStevens in JakeStevens Blog
liked it.
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"Ernest Borgnine sort of reminds me of one of my father's relatives, so just in appearance alone I felt a connection to his character, let alone the fact that, for a film from the mid-fifties, Mr. Borgnine's performance has a genuine hint of sadness not seen in films of this kind for another decade or more. To wit, it doesn't seem like he's "acting" like he is miserably lonely, he really looks miserably lonely, and when he meets Clara, he's practically jumping out of his skin with exc " [More]
CinemaRianCinemaRian Marty (1955, USA, Delbert Mann) ...
by CinemaRian in CinemaRian Blog
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"Marty won the Oscar for the Best Picture of 1955, and it probably deserved to. It is one of the first Hollywood films to use completly three deminsional characters in the modern sense. It is also very moving. Marty Pilletti (Ernest Borgnine, who also won the Oscar) is nice, caring and decent man, but his life in a rut. He he still lives at home with his mother(Esther Minciotti) at the age of thirty-four and works as an assisstant at a butcher shop " [More]
SkyPilotSkyPilot Recast THE MATRIX (1999) -- the ...
by SkyPilot in Filmgaming
"Winner: jdamer83's picks knocked me out. Neo is essentially a kung-fu Dirty Harry, so who better than Clint Eastwood? As Dr. Strangelove shows, George C. Scott is a hypnotic scenery-chewer and perfect for Agent Smith. And Ernest Borgnine as Tank! I'm glad we don't see him die on-screen (I don't think I could handle losing [More]
MovieGuyMovieGuy Re: Trivia: Shortest Best Picture
by MovieGuy in Movie Trivia
"Answer: Marty (1955) - Total running time: 91 min. Marty was also the first best picture winner to have been based on a TV program. The story came from the 1953 TV programmed called "Marty". Also on a side note, Sunrise (1927) was only 66 min. long, however it was not even nominated for Best Picture despite most critics today feeling it should have won. It did however " [More]
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Review by All Movie Guide
All Movie Guide
liked it.
Marty derives its greatness from Paddy Chayefsky's superb screenplay, which examines the reasons why people needlessly consign themselves to lives of sterile loneliness. The film makes the audience feel the ennui that surrounds Marty (Ernest Borgnine), from his mother's smothering love to the banality of his friends and his job. In one of the screen's great moments of heroism, Marty breaks free of his self-chosen prison and accepts the emotional risk of seeking happiness. There are few closing words more frightening and more hopeful than in the climactic moment when Marty picks up the phone, dials the number of the woman he has met, and says, "Hello, Clara." An oddity among Best Picture Oscar winners in that it was based on a TV drama, Marty transcends its era and speaks to the most basic needs for love and companionship. ~ Richard Gilliam, All Movie Guide
 

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