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Marnie
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Directed by Alfred Hitchcock
Condemned as being a "disappointing" and "unworthy" Alfred Hitchcock effort at the time of its release, Marnie has since grown in stature; it is still considered a lesser Hitchcock, but a fascinating one. Tippi Hedren plays Marnie, a compulsive thief who cannot stand to be touched by any man. She also goes bonkers over the sight of the color red. Her new boss, Mark Rutland (Sean Connery) is intrigued by Marnie -- to such an extent that he blackmails her into marriage when he stumbles onto her breaking into his safe. Rutland is in his own way as "sick" as his wife because of his fetishist desire to cohabit with a thief. After innumerable plot twists and turns, Marnie is "cured" by a facile but mesmerizing flashback sequence involving her ex-hooker mother (Louise Latham). Among the critical carps aimed at Marnie was the complaint that the studio-bound sets -- particularly the waterfront locale where the film ends -- were tacky and artificial; curiously, this seeming "carelessness" adds to the queasy, off-setting mood that Hitchcock endeavored to sustain. Even when the direction seems to falter, the film is buoyed by the driving musical score of Bernard Herrmann (his last for Hitchcock). Among the supporting actors in Marnie are Mariette Hartley as a secretary and Bruce Dern as a sailor; twelve years later, Dern would star in Hitchcock's final film, Family Plot. ~ Hal Erickson, All Movie Guide
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"Marnie is the film in the Hitchcock canon most guaranteed to rankle feminists.  Tippi Hedren plays the frigid, thieving titular character whose only hope for salvati " [More]
dibotdibot The Strange Love of Wicked Litt ...
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loved it.
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"I'm so far behind that these are going to be super short (even for me). Maybe I can catch up. The Lady Vanishes, an Alfred Hitchcock ("Family Plot") movie mostly set in the confines of a train, is a mystery where one woman notices another has gone missing, but no one believes her. Of course. Good. Of course. But not Hitch's best. I like " [More]
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loved it.
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"Marnie is insane. She is hard to know, and harder to accept. She's a repressed cleptomaniac and a totally ammoral smart-ass, and that's why I love her. The movie long considered to be one of Hitchcock's lesser works is by far one of his most watchable for repeat viewing. It is a guilty pleasure to watch over and over as Sean Connery traps this con-artist and unabashedly stalks her on a trip through the rabbit hole.   " [More]
OvationOvation Peter Bogdanovich Interviews Al ...
by Ovation in Alfred Hitchcock
"Peter Bogdanovich Interviews Alfred Hitchcock The legendary interview from 1963 PB: You never watch your films with an audience. Don't you miss hearing them scream? AH: No. I can hear them when I'm making the picture. Do you feel that the American film remains the most vital cinema? Worldwide, yes. Because when we make films for the United Stat " [More]
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Review by All Movie Guide
All Movie Guide
is neutral about it.
Marnie could never be confused with prime Alfred Hitchcock, but it's a much better film than its tarnished reputation would lead one to believe. Modern audiences will likely find its psychological undercurrents a bit basic -- and therefore find the ending somewhat pat, predictable, and artificial -- but it somehow works nonetheless. There are some technical aspects -- the artificial locales of some sequences, the "red" motif -- that may seem primitive (although it's arguable that Hitchcock wanted just this kind of distancing effect to unsettle the audience as the characters themselves are unsettled). But Marnie has a basically intriguing story, and Jay Presson Allen's screenplay skillfully sets out its plot and fills out its characters so that they live and breathe. Hitchcock, of course, knows how to take advantage of the screenplay's strengths, tossing in surprising angles and building suspense through simple, but skillful, juxtapositions and tight editing. Tippi Hedren displays unexpected depth in the title role, Sean Connery is appropriately tough and tender, as called for, and there's a real sexual tension between them. Of the supporting cast, Diane Baker is alluring and dangerous and Louise Latham effectively chilling as the mother. Bernard Herrmann's score, pulsing with danger and passion, is a definite plus. ~ Craig Butler, All Movie Guide
 

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