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Manhattan Murder Mystery
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Directed by Woody Allen
There's a real murder and a real mystery in Woody Allen's Manhattan Murder Mystery, but these plot pegs are used mainly to allow Allen to explore modern urban relationships. Allen plays a N.Y.C. book editor, Larry Lipton, married to Carol (Diane Keaton, who replaced Mia Farrow at the last minute, for reasons well publicized at the time). Carol is a free spirit, ever willing to try new experiences, but Larry is a wet blanket. When it begins to look like a neighbor has killed his wife, Carol is eager to investigate the mystery, but Larry thinks her suspicions are nonsensical and doesn't want to leave his apartment. Undaunted, Carol finds another "Nick Charles" in the form of family friend Ted (Alan Alda), who joins the investigation, and feels attracted to Carol and isn't afraid to let her know. Meanwhile, a writer under Larry's aegis (Anjelica Huston), who feels romantically drawn to him, also decides to join in the fun. Slightly jealous of Carol in the face of her budding relationship with Ted, Larry reluctantly agrees to go along on her clue-hunting expedition -- and it is he who discovers the corpse, who as it turns out was killed after Carol started poking around the apartment building. ~ Hal Erickson, All Movie Guide
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Manhattan Murder Mystery is not a standout in Woody Allen's prolific oeuvre, but it blends well with his perennial goals, exploring the neurotic foibles of aging New Yorkers amidst a plot that's slightly chaotic and ludicrous. Diane Keaton gives the most winning performance as a bored upper middle-class woman who is both shocked and invigorated by her own obsessive curiosity. As she haphazardly embarks on risky detective missions inside her neighbor's home, Allen is left pleading and tagging behind, nearly fainting from nervousness. It's a hilarious setup that gets deliciously exacerbated by the encouragement of Alan Alda and Angelica Huston, both of whom are perfectly suited to Allen's talky dialogue. Never one to fully buy a traditional mystery, Allen incorporates this wariness into the jokes, writing for himself so many wisecracks about what's supposed to happen next that it's all the funnier when they actually do. Even though his dialogue is stylized according to his own distinct patterns, it remains natural enough that Allen pulls off the idea that these are real people embroiled in surreal events. His handheld camera creates a realistic, documentary-style feel, further supporting the effort. It all makes for a darn fun movie, continuing to prove the superiority of even Allen's lesser-known films. ~ Derek Armstrong, All Movie Guide
 

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