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Malice
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Directed by Harold Becker
Alec Baldwin stars in this thriller as Dr. Jed Hill, a brilliant young trauma specialist who begins to believe he can do no wrong after he saves the life of a patient given up for dead by another doctor. Jed runs into an old classmate, Andy Safian (Bill Pullman), who is now a college dean. Andy invites Jed to stay with him in the attic bedroom of a house he is renovating with his wife Tracy (Nicole Kidman). Tracy takes a dislike to Jed, whom she thinks is a psychotic egomaniac. In the mean time, Andy has to deal with a serial killer on the loose among the campus dorms. While Andy is helping belligerent law enforcement officials with the murder investigation and Jed is drinking straight shots at the local saloon, Tracy begins to have abdominal pains and is rushed to the emergency room. Jed comes directly from the bar and slices her open, removing more from her body cavity than he should. The allegations fly fast and furious between Tracy, Andy, and Jed. ~ Paul Brenner, All Movie Guide
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IndieIndie Re: Top 5 Guilty Pleasure films
by Indie in Top 5
"6. Malice- I know its bad but I can't stop watching it! " [More]
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Review by All Movie Guide
All Movie Guide
lost interest.
Malice is a loopy and poorly thought-out but fun psychological thriller from screenwriter Aaron Sorkin and director Harold Becker. Delve too deeply into the plot mechanics and one is bound to come up with plenty of badly executed red herrings, character motivations that are puzzling at best, and plot twists that don't bear up under scrutiny. None of this is the point in a genre potboiler such as Malice, which is really all about the acting and how well the director stages his suspense sequences, and both of those elements are just fine here. Bill Pullman is a bit too much of a dimwit to be believed as a noteworthy scholar, though this is the fault of the material. However, Alec Baldwin is superb as a gifted surgeon whose arguments in favor of his own vanity and delusions of grandeur are compelling and have Sorkin's flair for mental and verbal gymnastics written all over them. Nicole Kidman is sufficiently frosty and aloof in a role that remains a bit of question mark for too long but fares better on a second viewing, once the film's final "secrets" are revealed. It's certainly not Shakespeare, but as pulp fiction goes, this one's a B-movie treat. ~ Karl Williams, All Movie Guide
 

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