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Magnolia
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Writer/director Paul Thomas Anderson followed his critical and commercial breakthrough Boogie Nights with this wildly ambitious story of lives intertwining on a single day in California's San Fernando Valley. Earl Partridge (Jason Robards), a successful producer of television game shows, left his wife when she contracted cancer to marry the younger and more beautiful Linda (Julianne Moore). Now, Earl has cancer himself, and Linda spends her day fetching medicines and trying to deal with the imminent death of her husband, whom she has only now come to love. Earl asks his nurse Phil (Philip Seymour Hoffman) to arrange a meeting with his estranged son, Frank Mackey (Tom Cruise), known for his self-help program "Seduce and Destroy," in which he preaches the importance of male sexual prowess; he cared for his mother after Earl left her, and he has no desire to see his father again. Earl's best-known show is hosted by Jimmy Gator (Philip Baker Hall), who also learns that he is dying. Jimmy's show pits bright adults against unusually smart kids; one of Jimmy's child contestants, Stanley (Jeremy Blackman), arrives late for a taping after being left stranded by his father Rick (Michael Bowen), who is supported by his more successful son. Meanwhile, Donnie Smith (William H. Macy), who was a champ on Jimmy's show as a child, is not having as much luck as an adult; he's just lost his job and needs to pay for some expensive dental work. Jimmy wants to reconcile with his estranged and emotionally fragile daughter Claudia (Melora Walters), who despises him and who will become involved with well-meaning police officer Jim Kurring (John C. Reilly), who has been desperately lonely since his divorce three years ago. Magnolia reunites much of the cast and crew of Boogie Nights and features eight original songs by singer/songwriter Aimee Mann and a musical score by Jon Brion. ~ Mark Deming, All Movie Guide
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rjspraguerjsprague Hypocrisy and misrepresentation
by rjsprague in Grog and Blog
loved it.
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"I was recently posting in the group Weekly Theme. The current theme of the week is nudity, and I mentioned Magnolia, as being a film with some nudity in it, which served for than just to titillate the audience, or wasn't there for that at all. One of the users in the " [More]
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by usesoap in usesoap Blog
loved it.
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"I can only imagine what compromising pictures there must be floating out there of Joan Allen to get her to agree to a role in director Paul W.S. Anderson's car porn flick, “Death Race.” Granted, her role in the “Bourne” films was a " [More]
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by CaptainRyannn in CaptainRyannn Blog
liked it.
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"Titles in bold represent a first time viewing. 346. Magnolia (Anderson, 1999)----------I thought that this was a pretty great collage-type film with the likeness of a more familiar title, Crash. Aside from Julianne Moore's performance, one of the few things I d " [More]
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by SkyPilot in SkyPilot Blog
loved it.
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"SPOILER ALERT: Don't read if you want to see Magnolia. The most surprising aspect of this movie is how long it takes for the birds to attack. When they finally do, it feels like they're interrupting a movie that would've been perfectly good without them, a complex and suspenseful screwball comedy. Ultimately the thrills of the second act fall short, and not because of cheesy effects. Hitchcock " [More]
leeroy711leeroy711 Re:Weekly Theme for April 27: 3 ...
by leeroy711 in Weekly Theme
"[quote user="mercurial"] I think I've been slacking recently with my regular movie watching schedule due to the inordinate number of 3+ hours films I've seen lately. I'm not sure what it is, but watching such epic films makes me wish that it wasn't such an oddity. I personally think it's a sign of a pretty amazing filmmaker when a film lasts more than 180 minutes and that time goes by without the death knell of feeling the need to check the time on your watch or cell phone. " [More]
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by Risselada in Weekly Theme
"[quote user="mercurial"] I think I've been slacking recently with my regular movie watching schedule due to the inordinate number of 3+ hours films I've seen lately. I'm not sure what it is, but watching such epic films makes me wish that it wasn't such an oddity. I personally think it's a sign of a pretty amazing filmmaker when a film lasts more than 180 minutes and that time goes by without the death knell of feeling the need to check the time on your watch or cell phone. " [More]
mercurialmercurial Weekly Theme for April 27: 3+ H ...
by mercurial in Weekly Theme
"I think I've been slacking recently with my regular movie watching schedule due to the inordinate number of 3+ hours films I've seen lately. I'm not sure what it is, but watching such epic films makes me wish that it wasn't such an oddity. I personally think it's a sign of a pretty amazing filmmaker when a film lasts more than 180 minutes and that time goes by without the death knell of feeling the need to check the time on your watch or cell phone. [More]
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by SkyPilot in Movie Polls
"In spite of what I said about Dostoevsky, I still voted 'Shakespearean,' mostly because it's the only one I've ever applied to a movie on my own initiative. For some reason I think of "Shakespearean" in terms of his tragedies. I have therefore described Magnolia as Shakespearean, and this is one of the highest compliments I can give to a film. Magnolia, like Macb " [More]
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Review by All Movie Guide
All Movie Guide
liked it.
Even more audacious than his 1997 breakthrough Boogie Nights, writer/director Paul Thomas Anderson's Magnolia explores nothing less than the uncertainties of life and the vicissitudes of love. Reuniting most of the cast members from Boogie Nights, with the notable additions of Tom Cruise, Jason Robards, and Melinda Dillon, Anderson pays homage to Robert Altman's multicharacter mosaics, delving into the minutiae of fate, coincidence, and the human condition through the chance intersections of ten major characters in one Southern California day. Along with his assured wide-screen compositions and camera movements, Anderson further reveals the cosmic connections between these damaged lives with a boldly poignant Aimee Mann "sing-along" and an appropriately Biblical finale. Though some critics sniffed that it was self-important pap, most were impressed enough by Anderson's intimately epic reach to forgive Magnolia's few flaws, while Cruise's flamboyant turn as sexual guru Frank T. J. Mackey earned the star a Golden Globe award and Oscar nomination for Best Supporting Actor. Though Cruise's presence was not enough to turn the three hour character study into a blockbuster hit, Magnolia confirmed that Boogie Nights was no artistic fluke, with Anderson once again garnering an Oscar nomination for his intricate screenplay. ~ Lucia Bozzola, All Movie Guide
 

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