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Directed by Fritz Lang
Fritz Lang's classic early talkie crime melodrama is set in 1931 Berlin. The police are anxious to capture an elusive child murderer (Peter Lorre), and they begin rounding up every criminal in town. The underworld leaders decide to take the heat off their activities by catching the child killer themselves. Once the killer is fingered, he is marked with the letter "M" chalked on his back. He is tracked down and captured by the combined forces of the Berlin criminal community, who put him on trial for his life in a kangaroo court. The killer pleads for mercy, whining that he can't control his homicidal instincts. The police close in and rescue the killer from the underworld so that he can stand trial again in "respectable" circumstances. Some prints of the film end with a caution to the audience to watch after their children more carefully. Filmed in Germany, M was the film that solidified Fritz Lang's reputation with American audiences, and it also made a star out of Peter Lorre (previously a specialist in comedy roles!). M was remade by Hollywood in 1951, with David Wayne giving a serviceable performance as the killer. ~ Hal Erickson, All Movie Guide
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RisseladaRisselada movie year countdown - round #2 ...
by Risselada in Risselada Blog
loved it.
1 out of 1 people found this review helpful. [What do you think?]
"This blog entry is part of my "movie year countdown round #2". Read more about that here. Z You have to love these one letter titles. I think one test for the quality of a movie database search engine is to look up the title of this movie or maybe Fritz Lang's [More]
civexcivex M
by civex in civex Blog
liked it.
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"It is my understanding that this is Fritz Lang's first talkie after perhaps a dozen silent films. His use of sound in M is astounding. There are scenes of many minutes duration where there is complete silence as characters strive desperately to catch or evade someone. As a scene switches from a character in the street looking in a window to inside the window looking at the character, street sounds come and go with the abruptness of the cut. Lang understood sound in his very first talkie, and " [More]
divinemsjunebugdivinemsjunebug M for Marvelous Peter Lorre
by divinemsjunebug in divinemsjunebug Blog
liked it.
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"I've always loved Petter Lorre in just about anything, this is definately no exception. I actually think this is one of his best performances, showing he can do high drama as well as some of his comedic roles in other movies. It is about a town that has a serial killer on the lose who kills young children, the police have a crackdown on every aspect of crime and the crime bosses are tired of being constantly harrassed so they decided to find the killer themselves and give him a ( " [More]
WindbreakerWindbreaker M (Fritz Lang)
by Windbreaker in Windbreaker!
loved it.
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"Amazing. I've heard so many compliments about this, and now that I've finally seen M, I can pile on! Here's a brain dump...I've seen Peter Lorre, but this is hands down the best performance I've seen of his. Well, aside from those Warner Bros cartoons where he mixed it up in animated form. What a great sicko.The emotional tugging by Fritz Lang was pretty effective. There are a few minutes when you feel for his plight. But n " [More]
chesterfilmschesterfilms Peter The Great
by chesterfilms in chesterfilms Blog
loved it.
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"I remember watching Peter Lorre films since I was a kid. He is one of my favorite character actors. The part he plays in M, I feel is very complex. A man who is so incredibly evil, and yet we feel sorry for him towards the end. I think for me it is one of those situations where I see a horrible person stripped of everything, and then the humanity sets in. And Peter Lorre plays it so well. The scene that I am referring to is at the end where the police and the town’s criminals both are chas " [More]
RisseladaRisselada Re:Weekly Theme for May 4: Expr ...
by Risselada in Weekly Theme
"[quote user="Risselada"] You guys have mentioned Fritz Lang's M and Metropolis, but no one has yet mentioned Der letzte Mann, presented in the United States as "The Last Laugh" but the actual translation is "The Last Man". I think this film may be " [More]
RisseladaRisselada Re:Weekly Theme for May 4: Expr ...
by Risselada in Weekly Theme
"You guys have mentioned Fritz Lang's M and Metropolis, but no one has yet mentioned Der letzte Mann, presented in the United States as "The Last Laugh" but the actual translation is "The Last Man". I think this film may be even more expressionistic than th " [More]
leeroy711leeroy711 Re:Weekly Theme for May 4: Expr ...
by leeroy711 in Weekly Theme
"[quote user="mercurial"] M is probably the film that stands out as one of the great Expressionist films made. It's such a creative, thrilling film; something which surprised me when I first saw it years ago as I hadn't seen too many films pre-1950 and those that I had I couldn't really get a feeling for. Hitchcock utilized Expressionist techniques in pretty much all of his films: [More]
mercurialmercurial Re:Weekly Theme for May 4: Expr ...
by mercurial in Weekly Theme
"M is probably the film that stands out as one of the great Expressionist films made. It's such a creative, thrilling film; something which surprised me when I first saw it years ago as I hadn't seen too many films pre-1950 and those that I had I couldn't really get a feeling for. Some of the noir films that I have loved and which embrace a certain amount of Expressionistic ideas are [More]
RisseladaRisselada Re:Which of these film movments ...
by Risselada in Movie Polls
"[quote user="pippin06"] This is out of my league too. I consider myself an average to above average filmgoer/viewer but am not sure if I've seen anything in any category (maybe I have and I didn't know it...but maybe not). Like I said, I saw a lot of French films in college, but who knows if they fall under New Wave or something like that... ...but maybe we could somehow start a discussion somewhere where people schooled in these film schools could make recomm " [More]
All Movie Guide Logo
Review by All Movie Guide
All Movie Guide
loved it.
One of the most distinguished and technically accomplished early sound films, Fritz Lang's M (1931) revealed the expressive possibilities for combining sound and visuals, in a metaphorically loaded story about pre-Nazi Germany. Working from the true story of the Dusseldorf child murders, Lang matches a mother's anguished calls for her daughter with images of an empty stairwell and a lost balloon rather than show the killing, while the murderer's obsessive whistling becomes the calling card for his threatening presence. Beyond the use of sound, Lang takes a pessimistic view of German society, using editing to equate the police with the criminals, while Fritz Arno Wagner's fluid cinematography creates a gloomy night world of shadows and paranoid entrapment. Lang's documentary-like attention to the details of the search, combined with the absence of non-diegetic music, matches the stylization with an equally creepy element of realism. The killer may be sick, but the society pursuing him isn't that much better. A worldwide success and a star-maker for Peter Lorre, M influenced movies from those of Orson Welles to the American film noir of the 1940s; Lang himself left Nazi Germany for Hollywood in 1933. The 111-minute version features an added courtroom ending. The movie was remade by Joseph Losey in 1951 as an allegory of Cold War-era Communist "witch hunts." ~ Lucia Bozzola, All Movie Guide
 

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