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Lust for Life
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Directed by Vincente Minnelli
This filmed biography of Vincent Van Gogh was adapted by Norman Corwin from the best-selling novel by Irving Stone, which was in turn inspired by the written correspondence between Van Gogh and his brother Theo. Kirk Douglas plays the tormented genius, whose obsessive devotion to his art engulfs, consumes, and finally destroys him. James Donald costars as Theo Van Gogh, who provides financial and moral support to his brother from the time Vincent leaves his Holland home in 1878 to his death in Auvers in 1890. Anthony Quinn won an Oscar for his eight-minute turn as Van Gogh's fast friend and erstwhile rival Paul Gaugin. Nearly 200 of Van Gogh's original paintings were borrowed from private collections for brief display in the film: some are "recreated" before our eyes, as the artist stands before his easel, spattered with paint and with a look of white-hot intensity burned into his countenance. ~ Hal Erickson, All Movie Guide
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jjgittesjjgittes Lust for Life on Reel 13
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"LUST FOR LIFE, a recent Reel 13 Classic that aired on August 9th, was one of many 50's films that I studied intensely for an article I was writing for a nationwide periodical (future Reel 13 films MOBY DICK and GIANT are others). My chief issue with LUST FOR LIFE has always been that it attempts to cover too much ground in the life of Vincent Van Gogh. The result of which is that every aspect of his life feels rushed and therefore empty – from his time as a missionary with the coal mine " [More]
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All Movie Guide
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In agreeing to direct Lust for Life, director Vincente Minnelli had to make several painful compromises, including the use of CinemaScope (which robbed some scenes of their intimacy) and Metrocolor (the vibrant hues of Technicolor would have been far better suited to the subject). Still, the infamous ear-slashing scene is handled with impeccable taste by the director, as is Van Gogh's climactic wheat field suicide. Likewise, star Kirk Douglas had to give in on several creative points; for example, the actor wanted to emphasize Van Gogh's latent homosexuality, but the MGM brass would hear none of this. Nominated for an Academy Award, Douglas lost out to Yul Brynner for The King and I. Miklos Rozsa's haunting musical score is the crowning touch on this superlative film. Also see Robert Altman's treatment of the same subject in Vincent and Theo (1990). ~ Hal Erickson, All Movie Guide
 

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