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Look Back in Anger
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Directed by Tony Richardson
Archetypal British "angry young man" Jimmy Porter (Richard Burton) is a college-educated bloke who can't seem to get any better job than working in a candy store. Jimmy's relationship with his wife Alison (Mary Ure) alternates between hugs and kisses when he's feeling good and verbal abuse when he's down on himself, which is often. Alison's best friend Helena Charles (Claire Bloom) advises Alison to escape her injurious marriage. Left with no one for a punching bag, Jimmy romances Helena. Having suffered a miscarriage, Alison returns, and Helena walks out of Jimmy's life. In keeping with its depiction of the dead-end existence of most of England's working poor in the late 1950s, nothing is truly resolved in Look Back in Anger. Playwright John Osborne (at that time married to Mary Ure) uses Jimmy Porter as a spokesman for Osborne's own spleen-venting harangues against the British government and class system. Not only did Look Back in Anger spawn a new genre of British social-protest films, but it also inspired two remakes, both filmed for television. ~ Hal Erickson, All Movie Guide
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dibotdibot Look Back in Haunting Safe Men ...
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"The Haunting of Molly Hartley seems to be getting terrible reviews, but I enjoyed it. The story revolves around a girl whose parents sold her soul to the devil when she was a baby. On her 18th birthday, she'll become evil. But then the mom has second thoughts and tries to kill her. The story starts slow and just builds and builds on the creep " [More]
leeroy711leeroy711 Look Back In Anger............. ...
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lost interest.
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"I think this is my first experience with the "angry young man" genre of the British New Wave. And I can only hope that it's not the "pinnacle." as I have heard. This was very much a dialogue driven film with very passionate and angry rants delivered beautifully by Richard Burton. This serves the purpose to show that he is one of the biggest jerks in movie history. Later, we find more and more about his troubled past and his relationship with his parents, which only proves that he is a " [More]
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Review by All Movie Guide
All Movie Guide
liked it.
Three years after its incendiary run on the London stage, director Tony Richardson's film version of John Osborne's play Look Back in Anger (1959) became one of the precursors to the British "kitchen sink" dramas of the 1960s. Enhancing the aim to show British life as it really was through the hopeless existence of enraged working class stiff Jimmy Porter and his put-upon, better-born wife Allison, Richardson unstintingly reveals the grunginess of their industrial city residential milieu with its drab row houses and unkempt children. Shot in stark black and white to match the dreariness of their lives, Richardson's close-ups intensify the already fraught emotions of Richard Burton's quintessential "angry young man" as he vents Porter's frustrations in Osborne's sharp, incisive dialogue. Mary Ure's Allison and Claire Bloom's neighbor-turned-mistress Helena are as emotionally caught as Jimmy, despite their different attempts at resistance. Richardson's first feature for his and Osborne's newly formed Woodfall Films, the critically praised Look Back in Anger became an international success, leading the way, along with Room at the Top (1959) to the British "New Wave" of gritty, socially engaged realism. ~ Lucia Bozzola, All Movie Guide
 

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