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Lone Star
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Directed by John Sayles
Reminiscent of a fine novel in depth and complexity, writer-director John Sayles' acclaimed drama uses the investigation of a 25-year-old murder as the framework for a detailed exploration of life in a Texas border town. The nominal center of the film is Sheriff Sam Deeds (the superb, subtle Chris Cooper), the chief law officer of the town of Frontera. The low-key Sam is also the son of the late Buddy Deeds (played in flashbacks by Matthew McConaughey), who also served as town sheriff and still maintains a legendary status for ousting the vicious, corrupt Charlie Wade (a memorably vicious Kris Kristofferson). The discovery of Wade's decades-old skeleton, however, calls this legend into question, and forces Sam to begin an investigation. During this search for the truth, Sam must come to terms with his own troubled emotions about his father and his still-lingering romantic feelings for Pilar (Elizabeth Peña), a Hispanic woman that Buddy had prevented him from seeing as a young man. Lone Star's scope encompasses not only this story but the whole town, addressing Pilar's difficulties as a schoolteacher, the conflict between incoming immigrants and border patrol officers, and the troubles faced by the African-American commander of the local military base. Sayles expertly moves between past and present, weaving his stories together to illustrate, as in his earlier City of Hope (1991), how the seemingly disparate parts of a community are in fact intimately interconnected. Raising issues of race, politics, and identity, Lone Star nevertheless focuses most of its attention on its complex, believable characters, well-performed by an excellent ensemble cast. One of the most financially successful of Sayles' low-key movies, Lone Star received glowing notices and an Academy Award nomination for Best Original Screenplay. ~ Judd Blaise, All Movie Guide
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civexcivex Lone Star (1996)
by civex in civex Blog
liked it.
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"This is a quietly excellent movie about mystery, racism, and love. Chris Cooper plays present-day Sheriff Sam Deeds, filling the boots of his late father, Sheriff Buddy Deeds. Much of the movie is told in flashback by director John Sayles, with the camera panning from a present day scene to the location of some event in the Fifties where we see it replayed, then panning back to the present characters, lost in recollection of those days gone by. It works very well, without having to have t " [More]
ShaunHustonShaunHuston AFI's 10 Top 10: Western
by ShaunHuston in ShaunHuston filmblog
hasn't rated it.
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"The Western Top 10 is the toughest for me. As some of you may know, while I'm hardly Richard Slotkin or Jane Tompkins, I write, [More]
JimBellJimBell Lone Star
by JimBell in JimBell Blog
liked it.
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"Lone Star is a sprawling movie full of action and suspense, and replete with good acting. Writer and director John Sayles builds a complex portrait of a Texas border town where everyone seems related to everyone else in some way, shape, or form. The ending—which I will not give away here—is particularly challenging and intere " [More]
erico_77375erico_77375 The Great Movies: Lone Star
by erico_77375 in erico_77375 Blog
loved it.
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"Two men pace around an abandoned military firing range discussing the ignorance of people's perceptions as they salvage for old bullets to make into art. The scene gets interesting when one of the men finds a skull. Where in an average film, this would be the start of a murder mystery. In the world of Writer/Director John Sayles, this is beginning of a catalyst of personal choices and connections of a handful of people who are connected to an event almost forty ye " [More]
HairyLimeHairyLime The Brother From Another Planet
by HairyLime in HairyLime Blog
loved it.
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"Early John Sayles film that I saw once years and years ago, and then revisited again recently. It still holds up pretty well. Joe Morton gives an outstanding understated performance without uttering a sound, and the endless parade of oddball characters he comes into contact with throughout the movie are wonderful little set pieces, expecially the regulars at the bar where a lot of the action takes place. As usual with Sayles, he can say much more on a limited buget than movies three tim " [More]
All Movie Guide Logo
Review by All Movie Guide
All Movie Guide
liked it.
A searing, thoughtful portrait of life in a Texas border town, Lone Star is one part history lesson, one part sociological study, one part murder mystery. A high point in the career of writer/director John Sayles, the film is a graceful balancing act: unshowy and low-key, it weaves together disparate stories into one compelling narrative, making even its minor characters into individuals of dimension and substance. Using the murder angle as a pretext rather than a plot, Sayles makes it a window through which subjects as diverse as border politics, racial prejudice, dark family secrets, and even a repressed, decades-old romance can be viewed. Lone Star was also Sayles' most successful film; unlike much of his previous work, it was embraced by a mainstream audience, and a number of critics hailed it as the best film of the year. Sayles' method of storytelling, which had occasionally gotten him into trouble for its novel-like complexity and density, served him well in this instance. Lone Star is the cinematic equivalent of a compulsive page-turner, a thoroughly engaging story filled with characters that are plentiful yet not shabbily rendered, and intrigue that is thought-provoking rather than sensational. ~ Rebecca Flint Marx, All Movie Guide
 

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