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Lola Montès
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Directed by Max Ophüls
Martine Carol stars as notorious 19th century Mexican circus performer Lola Montes, who in her heyday counted among her lovers the crowned heads of France, Italy, Poland, and Russia. The film dwells upon Lolas' extended affairs with King Ludwig of Bavaria (Anton Walbrook) and composer Franz Liszt (Will Quadflieg). We learn of these various amours in flashback form, for the film is framed by a prologue and epilogue in a tawdry New Orleans circus, where an old and faded Lola is exploited by a slimy nickel-and-dime ringmaster (Peter Ustinov). Ophul's use of the CinemaScope format will be lost on un-letterboxed television; long available only in an abortive 90 minute version, Lola Montes was restored to its full directors' cut of 110 minutes in 1969. The film is based on a book by Cecil St. Laurent. ~ Hal Erickson, All Movie Guide
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"The 2008 Telluride Film Festival list of movies was revealed this afternoon. Our team on the ground is going to be back with more commentary on the selections but it looks to be an exciting and eclectic festival this year as usual. You can also stay up to date here on SpoutBlog or j " [More]
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Review by All Movie Guide
All Movie Guide
liked it.
Lola Montès is acclaimed for showcasing the grand visual style of Max Ophuls, whose looming crane shots and 360-degree pans continue to impress critics, just as they did throughout his career. Though considerable liberty is taken with the life of the historic Lola Montès, the film remains an opulent chronicle of the loves and affairs of its title subject. For some critics (notably Andrew Sarris), this is one of the greatest films ever made. Others may feel that Ophuls' camera style is garish and tiresome or that the narrative lacks energy; and even some critics who praise the film as a masterpiece cite the central performance of Martine Carol as weak. Nearly all critics appreciate the film's technical brilliance and production design. ~ Richard Gilliam, All Movie Guide
 

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