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Little Big Man
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Directed by Arthur Penn
Recounting how the West was won through the eyes of a white man raised as a Native American, Arthur Penn's 1970 adaptation of Thomas Berger's satirical novel was a comic yet stinging allegory about the bloody results of American imperialism. As a misguided 20th-century historian listens, 121-year-old Jack Crabb (Dustin Hoffman) narrates the story of being the only white survivor of Custer's Last Stand. White orphan Crabb was adopted by the Cheyenne, renamed "Little Big Man," and raised in the ways of the "Human Beings" by paternal mentor Old Lodge Skins (Chief Dan George), accepting non-conformity and living peacefully with nature. Violently thrust into the white world, Jack meets a righteous preacher (Thayer David) and his wife (Faye Dunaway), tries to be a gunfighter under the tutelage of Wild Bill Hickock (Jeff Corey), and gets married. Returned to the Cheyenne by chance, Jack prefers life as a Human Being. The carnage wreaked by the white man in the Washita massacre and the lethal fallout from the egomania of General George A. Custer (Richard Mulligan) at Little Big Horn, however, show Crabb the horrific implications of Old Lodge Skins' sage observation, "There is an endless supply of White Men, but there has always been a limited number of Human Beings." ~ Lucia Bozzola, All Movie Guide
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"an interesting, but truthful twist (at least as I see it ) on this would be show the good ol' USA as the jackboot or suit wearing, arms dealing villain metaphorically/allegorically or just 'there you have it'...you could start with The Quiet American, Casualties of War, [More]
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Review by All Movie Guide
All Movie Guide
liked it.
Little Big Man was one of a group of early 1970s Westerns that found a precedent for the atrocities of the Vietnam War in the history of white westward expansion at the expense of Native Americans. In the process, Arthur Penn and screenwriter Calder Willingham take apart the Western itself, sending up myths of white "civilization" and its proper violence while lending a humorous and poignant slant to the mythic "noble savages" -- not to mention casting actual Native American actors. Primed for Western iconoclasm by an ever more vigorous antiwar movement and counterculture, audiences turned Little Big Man into a surprise hit; Chief Dan George garnered a New York Film Critics Circle prize and an Oscar nomination for his performance. One of the most successful of the period's revisionist Westerns, Little Big Man stands as a timely and wittily caustic indictment of western myths and the contemporary legacy of manifest destiny. ~ Lucia Bozzola, All Movie Guide
 

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