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Limbo
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Directed by John Sayles
Writer/director John Sayles once again takes his audience to a place they may never have been before (this time both psychologically and geographically). Joe Gastineau (David Strathairn) lives in Juneau, Alaska, where his life has been stuck in neutral for about 25 years. When he was young, Joe was involved in an accident on a fishing boat that led to the death of two crewmembers, and he's never recovered from the blow. When Joe meets Donna De Angelo (Mary Elizabeth Mastrantonio), however, he starts to come out of his shell. Donna is a lounge singer who goes from job to job, wherever she can get work. Her life has been built around being able to pick herself up when she falls and learning to be comfortable wherever she lands -- a gift that her teenage daughter, Noelle (Vanessa Martinez), does not share. Donna and Joe become attracted to each other, and her example leads Joe to take a job on a boat again. However, just as Joe's life is starting to get back on track, his ne'er-do-well half-brother Bobby (Casey Siemaszko) arrives to ask Joe a favor. One disaster leads to another, and Joe soon finds himself stranded on an island with Donna and Noelle, trying to hide from a group of men out to kill him. Shot on location in Alaska by award-winning cinematographer Haskell Wexler, Limbo also features a soundtrack with a new song by Bruce Springsteen, "Lift Me Up"; Sayles directed three Springsteen music videos in the 1980s. ~ Mark Deming, All Movie Guide
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JimBellJimBell Limbo
by JimBell in JimBell Blog
is neutral about it.
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"Whether you like Limbo (1999) or not depends on the last few seconds of the movie. Joe (David Strathairn), an Alaskan handyman still suffering from a tragic boating accident, and Donna (Mary Elizabeth Mastrantonio), a travelling lounge singer with bad taste in men, and her troubled teenaged daughter, Noelle (Vanessa Martinez), " [More]
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Review by All Movie Guide
All Movie Guide
is neutral about it.
For his first film for a major studio in years, John Sayles chose a project uncompromising even by his own restrictive standards, although this might not appear to be the case at first. In its first half, Limbo, like Sayles' Lone Star and City of Hope, establishes with almost novelistic detail the details of a community, in this instance a small fishing town in Alaska. It's all the more shocking, then, when the film abandons its carefully established milieu for life on a desert island, but Sayles and his able cast make the shift work, the contrast between relationships in a community and relationships in isolation ultimately becoming part of the point of the film. Though it left critics divided in part due to a strange (but perfect) conclusion, this is every bit up to the level of Sayles' past work, even if part of its power comes from working against the expectations raised by his past. ~ Keith Phipps, All Movie Guide
 

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Kim_Kelly
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danheat
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vanbto8
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