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A thief plans one last heist -- though hardly for the typical reasons -- in this offbeat drama. Neicy (Kerry Washington) is a stylish, well-dressed young woman who maintains an air of intelligent arrogance in her part-time job as a window dresser at an upscale Boston department store. Neicy has a secret to looking good on a window dresser's salary -- she's an expert shoplifter, who has learned how to steal the best outfits for herself and her friends, and occasionally makes a few bucks lifting items she can sell to others (though she charges much less than the market will bear). Neicy's boyfriend Angelo (Eugene Byrd) thinks she ought to get out of shoplifting before she's arrested, but since he makes his living selling marijuana, Neicy doesn't have much respect for his opinions in this area. However, when Neicy discovers she's pregnant, she begins to think that a less risky occupation might be in order after all; her boss at the department store thinks enough of her work to suggest a career in design, and is even willing to give her a better paying job in New York. But Neicy has never gotten much affection from her mother (Lonette McKee) and wants to do something to prove her love; when she sees her mother admiring a beautiful and very expensive necklace, Niecy decides to steal it as a gift for her. However, the jewelry store in question has much better security than the shops Neicy is used to, and she's forced to bring an outside accomplice into the picture -- Christian (Todd Williams), a jewel thief whose demands involve more than just money. The second feature from the writing and directing team of DeMane Davis and Khari Streeter, Lift premiered at the 2001 Sundance Film Festival, where it was nominated for the Grand Jury Prize. ~ Mark Deming, All Movie Guide
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Review by All Movie Guide
All Movie Guide
lost interest.
Lift is a compelling crime drama and a frequently moving tale of an intelligent young woman's struggle with career choices and family relationships. It's also a treatise on rampant consumerism and its influence on black culture. While screenwriter DeMane Davis and his co-director Khari Streeter occasionally lapse into predictable melodrama, their film is slickly produced and smartly written enough to overcome its flaws. Its chief asset is the strong cast, particularly the lead performance by the remarkable Kerry Washington (also a standout in Our Song and Save the Last Dance). Washington delivers a sharp, believable performance as Niecy, who exudes sophistication and class when she's ripping off high-end retail stores, but can't get a handle on her messy personal life. Eugene Byrd is also good as Angelo, Niecy's caring but immature boyfriend. At first, he seems like an irredeemable, irresponsible pothead, but as the film progresses, it becomes clear that his feelings for Niecy are genuine, as is his determination to clean up his act. But immaturity and jealousy too frequently get the better of him. Lonette McKee plays Niecy's brittle mother, and this is the central relationship in the film. Niecy seemingly steals primarily to provide her mother with expensive gifts, and when she recognizes the imbalance in their relationship, she finally considers changing her life. The film's boosting scenes are expertly shot and exciting, though the ironic use of classical background music is a bit much. Davis and Streeter also have a good ear for true-to-life dialogue. Lift is a solid, well-made drama. For the most part, the filmmakers and cast handle the complex material with thoughtfulness and skill. The film won the Grand Jury Prize at the 2001 Urbanworld Film Festival. ~ Josh Ralske, All Movie Guide
 

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