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Life with Mikey
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Directed by James Lapine
James Lapine, whose Broadway credits as a writer/director includes work with Stephen Sondheim, made his Hollywood debut with this comedy. Michael J. Fox plays Michael Chapman, who once upon a time was a wise-cracking child star on a situation comedy called "Life With Mikey." Now in his thirties and on the skids, Michael makes personal appearances at grand openings of hamburger stands, and runs an unsuccessful talent agency (specializing in kids) with his brother Ed (Nathan Lane). The agency's only successful client is Barry Corman (David Krumholtz), a fourteen-year-old with an attitude who is known as "the cereal king" for his appearances on television commercials. Ed is trying to talk Michael into closing the agency and Barry is threatening to go elsewhere when a sprightly 10-year-old reprobate named Angie (Christina Vidal) tries to pick his pocket. When Angie delivers a heart-rendering tale of questionable honesty about being an orphan from Queens, Michael realizes that Angie would be perfect for a Sunburst Cookie commercial. She clicks in the commercial, and both her career and the agency's soar. In the meantime, Angie movies in with Michael, and as they bond, Michael realizes how to act like an adult and Angie realizes how to act like a child. ~ Paul Brenner, All Movie Guide
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Review by All Movie Guide
All Movie Guide
lost interest.
Directors who have great success in the theatre are often lured to film through either talent or ego, with naturally varying degrees of success, such as Sam Mendes and his work on American Beauty. Another noted stage director, James Lapine, perhaps best known for his work with Steven Sondheim, took the plunge with the well-intentioned comedy Life With Mikey, featuring Michael J. Fox as a former child star turned agent and Nathan Lane in one of his first major film roles as his brother. What's disappointing is how disjointed the film is, considering that it has some very funny moments, particularly from the younger cast which features Christina Vidal and David Krumholtz, who has perhaps the single best line in the film when he compares himself to Job. Unfortunately, the viewer may also feel like Job when the film is finished. Fox tries hard and he's rather likable but everything seems forced, particularly his scenes where he and Vidal are supposed to be expanding their relationship from agent/client to genuine affection. The overall idea is pretty sound, it's just never fully realized. It's obvious that Fox is supposed to prevent Vidal from having the miserable show business childhood he had, but it's never clear that they are moving in the right direction despite the feel-good ending. Perhaps the most interesing thing to be said for the film is the huge number of theater folk who have been given cameos, including the playwrights Wendy Wasserstein and Christopher Durang but unless one is a true maven of the theater, you don't know it's them unless you sit through the end credits. By that time, it's probably too late. Cyndi Lauper also does a somewhat credible appearance as the secretary. ~ Dan Friedman, All Movie Guide
 

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