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Le Samouraï
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Long considered a classic of European film noir, this existential gangster drama from French director Jean-Pierre Melville was released in the United States only in a severely truncated, re-edited, and overdubbed version entitled The Godson. Thirty years after its initial public airing, Le Samourai (1967) finally saw a limited American release in its intended form. Alain Delon stars as Jef Costello, a professional Parisian assassin-for-hire who, by nature of his work's solitary demands, has no friends. Although he is loved by Jane Lagrange (Natalie Delon, the star's real-life wife), Costello knows that Jane already has a lover. After he successfully wipes out a nightclub owner at the behest of his boss, Costello discovers that he was seen by the club's pianist, Valerie (Cathy Rosier). Although he survives a police lineup thanks to a lie offered up by the fearless Valerie, Costello's alibi disintegrates rapidly and his shadowy employer takes out a contract on him. As he seeks revenge on his betrayer, Costello must also stay one step ahead of a wily, determined superintendent (Francois Perier). Melville's film influenced several other filmmakers and projects, most notably director John Woo's The Killer (1989). ~ Karl Williams, All Movie Guide
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leeroy711leeroy711 Re:Movies Spout Needs to Watch
by leeroy711 in Community Recommendations
"[quote user="csprague"] [quote user="Risselada"] [quote user="csprague"] So, every week at Spout we watch a movie and discuss it. Sounds fun, no? Well, it is. However, selecting the movie every week is not without it's challenges and as the lucky person who fills up our queue, I feel a lot of pressure to meet several requirements that often seem conflicting. 1) The movie needs to be one which we would not normally watch. The point is to be stretched outside of " [More]
tallquasimodotallquasimodo Re:Pick a Pair
by tallquasimodo in Movie Games
"I would nominate Le Samourai and Ghost Dog. Pretty interesting to see a couple of different takes on the bushido code for modern hitmen. Ghost Dog was a bit silly though. " [More]
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Review by All Movie Guide
All Movie Guide
liked it.
The epitome of screen cool, policier specialist Jean-Pierre Melville masterfully dissects the life of a loner hitman after he leaves behind a beautiful witness to a nightclub assassination. Opening with a fake nugget of samurai wisdom, Melville emphasizes the self-imposed isolation of Alain Delon's impassive Jeff Costello, as he lies alone in his monochrome apartment before his next job. Amid ultra-mod 1960s nightclub interiors and Henri Dacaë's icily stylish cinematography, Melville meticulously details Jeff's well-honed methods for stealing cars, shooting victims, and covering his tracks. A line-up identification and a celebrated police pursuit through Paris's Metro enhance the suspense about whether this consummate professional can be caught, as an inkling of human connection threatens Jeff's carefully controlled existence. Originally released in the U.S. in an edited, dubbed version meant to capitalize on the popularity of The Godfather (1972), Le samouraï was restored to its original form in the 1990s, although its visual flourishes, procedural flair, and Delon's existential sangfroid had long since infiltrated the international neo-noir lexicon. It directly inspired John Woo's The Killer (1989) and Jim Jarmusch's Ghost Dog: The Way of the Samurai (2000), among others. ~ Lucia Bozzola, All Movie Guide
 

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