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Laura
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Directed by Otto Preminger
This adaptation of Vera Caspary's suspense novel was begun by director Rouben Mamoulien and cinematographer Lucien Ballard, but thanks to a complex series of backstage intrigues and hostilities, the film was ultimately credited to director Otto Preminger and cameraman Joseph LaShelle (who won an Oscar for his efforts). At the outset of the film, it is established that the title character, Laura Hunt (Gene Tierney), has been murdered. Tough New York detective Mark McPherson (Dana Andrews) investigates the killing, methodically questioning the chief suspects: Waspish columnist Waldo Lydecker (Clifton Webb), wastrel socialite Shelby Carpenter (Vincent Price), and Carpenter's wealthy "patroness" Ann Treadwell (Judith Anderson). The deeper he gets into the case, the more fascinated he becomes by the enigmatic Laura, literally falling in love with the girl's painted portrait. As he sits in Laura's apartment, ruminating over the case and his own obsessions, the door opens, the lights switch on, and in walks Laura Hunt, very much alive! To tell any more would rob the reader of the sheer enjoyment of watching this stylish film noir unfold on screen. Everything clicks in Laura, from the superbly bitchy peformance of Clifton Webb (a veteran Broadway star who became an overnight movie favorite with this film) to the haunting musical score by David Raskin. Long available only in the 85-minute TV version Laura has since been restored to its original 88-minute running time. ~ Hal Erickson, All Movie Guide
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jjgittesjjgittes Laura on Reel 13
by jjgittes in jjgittes Blog
loved it.
Was this review helpful? [Be the first to tell us!]
"Interestingly enough, LAURA is the oldest film to have aired on Reel 13 this year, coming all the way from 1944. I'm not sure why the Reel 13 programmers have so vigorously avoided the 30's and such gems like BRINGING UP BABY, IT HAPPENED ONE NIGHT, MR. SMITH GOES TO WASHINGTON, YOU CAN'T TAKE IT WITH YOU, etc., especially given the strength of the older films they have showed. LAURA, for example, hardly feels dated. It is as evocative and " [More]
ShaunHustonShaunHuston AFI's 10 Top 10: Mystery
by ShaunHuston in ShaunHuston filmblog
hasn't rated it.
Was this review helpful? [Be the first to tell us!]
"The mystery list is another one that seems poorly conceived. Unlike animation, “mystery” may be a genre, but the way it is defined and applied in the AFI list leads to a muddled selection of films.The AFI defines mystery as “a genre that revolves around the solution of a crime”. I'm not convinced that that adequately describes the films on " [More]
JimBellJimBell Laura
by JimBell in JimBell Blog
loved it.
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"This movie was probably made well before you were born, but it is a beaut! Although I’m not a film historian, Laura (1944) seems to have been a happy accident. It was a low-budget B movie upgraded to a well-financed A movie. Two prominent musicians turned down the oppor " [More]
JymkataJymkata Re: Top 5 Actresses in Classic ...
by Jymkata in Top 5
"Wow, great topic, since the women really make film noir sexy and mysterious 1. I loooove Gloria Grahame in everything so I guess I have to cheat and say that I would put three of her noir performances in a tie- tough and sexy Debby Marsh in The Big Heat, scheming Irene Neves in Sudden Fear, and complicat " [More]
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Review by All Movie Guide
All Movie Guide
loved it.
With its collection of decadent New Yorkers embroiled in a murder mystery, Otto Preminger's hit Laura (1944) stands as an early, elegantly crafted film noir. Preminger's low-key approach to a story of lethal obsession allows the suggestions of sexual deviance emanating from Clifton Webb's epicene critic Lydecker, Dana Andrews's cynical yet besotted necrophiliac cop, and the pragmatic Vincent Price-Judith Anderson couple to permeate the seductively cool atmosphere. David Raksin's famously bewitching theme invokes titular mysterious beauty Gene Tierney, but it is questionable if the real woman can measure up to the power of portraiture and Lydecker's memory. "Proper" love may triumph but it is a compromised victory. One of the most popular suspense films of the 1940s, Laura earned Oscar nominations for Best Director, Supporting Actor for Webb, "Interior" (now Art) Direction, and the sharp screenplay based on the Vera Caspary novel, winning the prize for Joseph LaShelle's black and white cinematography. Released the same year as Billy Wilder's caustic noir Double Indemnity, Laura was another intimation of the wave of cinematic darkness that would crest post-World War II. ~ Lucia Bozzola, All Movie Guide
 

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