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La vie moderne (Modern Life)
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All reviews for La vie moderne (Modern Life)

    KarinaKarina Cannes: La Vie Moderne
    by Karina in Karina on SpoutBlog
    hasn't rated it.
    Was this review helpful? [Be the first to tell us!]
    "La Vie Moderne, playing here on the Un Certain Regard sidebar, is the third documentary portrait of a group of rural French dairy farmers that Raymond Depardon has made this decade, and as such, comparisons between Depardon’s overall project and Michael Apted’s 7 Up series are not unapt. But where Apted’s seven films across forty years have come to define a changing Britain through the personal evolutions of a single generation, Depardon paints a portrait of a region and a way of life that seems on the verge of almost certain collapse due to nothing more than the natural passage of time and collision of generations. Taking on the triple role of interviewer, cameraman and narrator, the filmmaker’s affection for and rapport with his subjects is obvious, his tenacious patience a welcome contrast to the aggression employed by so many self-referential documentarians. Depardon’s style " [More]
    SpoutBlogSpoutBlog Cannes: La Vie Moderne
    by SpoutBlog in SpoutBlog on spout.com
    hasn't rated it.
    Was this review helpful? [Be the first to tell us!]
    "La Vie Moderne, playing here on the Un Certain Regard sidebar, is the third documentary portrait of a group of rural French dairy farmers that Raymond Depardon has made this decade, and as such, comparisons between Depardon’s overall project and Michael Apted’s 7 Up series are not unapt. But where Apted’s seven films across forty years have come to define a changing Britain through the personal evolutions of a single generation, Depardon paints a portrait of a region and a way of life that seems on the verge of almost certain collapse due to nothing more than the natural passage of time and collision of generations. Taking on the triple role of interviewer, cameraman and narrator, the filmmaker’s affection for and rapport with his subjects is obvious, his tenacious patience a welcome contrast to the aggression employed by so many self-referential documentarians. Depardon’s style " [More]
    KarinaKarina Cannes Market Flash: Uwe Boll’s ...
    by Karina in Karina on SpoutBlog
    hasn't rated it.
    Was this review helpful? [Be the first to tell us!]
    "Before I get too deep into my Cannes coverage, it seems like it would be useful to explain the difference between the Marche du Film (AKA the market) and the festival proper. The Cannes Film Festival is what most people think of when they think of Cannes––it’s the flashy, sophisticated, exclusive showcase for the world’s finest and most famous filmmakers, and it’s curated within an inch of its life. The market is kind of like a free-for-all sideshow. There are no red carpet premieres or filmmaker Q & A’s, and most of the films play in tiny screening rooms in hotels or the Palais. Every film (or portion of a film––producers will sometimes screen show reels in order to raise funds or entice distributors before production is completed) in the Marche is for sale, and none have been vetted by a screening committee. This allows for an extraordinarily wide spectrum of quality. Earlier today, IFC announced that they’ve purchased US distribution rights " [More]
    SpoutBlogSpoutBlog Cannes Market Flash: Uwe Boll’s ...
    by SpoutBlog in SpoutBlog on spout.com
    hasn't rated it.
    Was this review helpful? [Be the first to tell us!]
    "Before I get too deep into my Cannes coverage, it seems like it would be useful to explain the difference between the Marche du Film (AKA the market) and the festival proper. The Cannes Film Festival is what most people think of when they think of Cannes––it’s the flashy, sophisticated, exclusive showcase for the world’s finest and most famous filmmakers, and it’s curated within an inch of its life. The market is kind of like a free-for-all sideshow. There are no red carpet premieres or filmmaker Q & A’s, and most of the films play in tiny screening rooms in hotels or the Palais. Every film (or portion of a film––producers will sometimes screen show reels in order to raise funds or entice distributors before production is completed) in the Marche is for sale, and none have been vetted by a screening committee. This allows for an extraordinarily wide spectrum of quality. Earlier today, IFC announced that they’ve purchased US distribution rights " [More]
 
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