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L.I.E.
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Directed by Michael Cuesta
A teenaged boy in desperate need of a father figure finds one in a place no one should ever have to look in this controversial drama. Howie (Paul Franklin Dano) is a 15-year-old who has been emotionally at sea ever since the death of his mother in an auto accident several years before. Howie's father Marty (Bruce Altman) is also having trouble dealing with the loss, and distracts himself with empty sex while avoiding authorities attempting to prosecute him for using unsafe materials in his building contracting business. Howie falls in with a group of homeless delinquents his own age, becoming especially close to streetwise Gary (Billy Kay). In time, Howie begins to wonder if his feelings for Gary go past ordinary friendship, but the issue of his sexuality is forced into a very different light after Gary persuades Howie to join him in robbing the home of middle-aged former Marine Big John Harrigan (Brian Cox). It doesn't take long for Big John to track down the culprits after Howie and Gary steal several guns from his house, but Howie learns that Big John and Gary have met before -- Gary sometimes works as a male prostitute, and Big John, whose tastes run to boys in their early teens, is a regular customer. When Gary runs away to California, Big John proposes that Howie work off their debt by having sex with him; while Howie is hardly comfortable with this arrangement, he has nowhere else to go after his father ends up in jail, and he finds an unexpected degree of emotional support in his relationship with the curiously compassionate pedophile, who comes to understand just how badly Howie needs help. L.I.E. (the title stands for "Long Island Expressway") premiered at the 2001 Sundance Film Festival. ~ Mark Deming, All Movie Guide
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by NakedLunchRadioShow in Sound on Sight
"Frist I would just like to say that we never give out any spoilers of any movies that are less than a year old. I am glad that you went back and listened to the show again after you saw the film. Now for your answer. As I mentioned in the show. This film is not for everyone. Mostly for film students and film makers. Also I said that it is a film that will only really be appreciated by future generations. Even the early fi " [More]
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Review by All Movie Guide
All Movie Guide
is neutral about it.
A difficult, tricky subject is given thoughtful, droll treatment by terrific first-time writer/director Michael Cuesta in this funny, revealing look at the unlikely bond between an aging ex-Marine who happens to like very young boys and a deserted 15-year old who enters his life. Instead of reveling in smutty put-ons and generalizations about pedophilia and teenage rebellion, the movie looks deeper at the complexities of its highly intriguing male characters and becomes an acute study of behavior and loneliness. The film is successful mostly due to the superlative performances in the lead roles by Brian Cox and Paul Franklin Dano, both of whom inject emotional validity and uncommon depth into characters that could have been lazily conceived. Their relationship unfolds in a refreshing, naturalistic fashion, and until the hollow final scenes (which wrap the movie up far too neatly), it never hits a single false note in the execution. A fine feature debut, markedly better than many recent independents due to its sensitive portrait of troubled individuals, the film premiered at the 2001 Sundance Film Festival but took some time finding a distributor due to its strong subject matter and ratings board disputes. (The film received an NC-17 upon submission, which seems highly unwarranted.) ~ Jason Clark, All Movie Guide
 

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