Movie news on your iPhone today!
Advertisement
Sign in
Username   Password         Forgot password?
Wanna join? Sign up
Find movies you'll love
Kagemusha
  • 0
  • 1
  • 2
  • 3
  • 4
  • 5
  • Rate this movie.

Rent it, watch it, find it

Advertisement
Directed by Akira Kurosawa
Just as many American studio-era directors found acclaim abroad that was denied them in their home country, by 1980 Akira Kurosawa's reputation outside Japan exceeded his esteem at home. As uncompromising as ever, he found considerable difficulty securing backing for his ambitious projects. Unsure he would be able to film it, the director, an aspiring artist before he entered filmmaking, converted Kagemusha into a series of paintings, and it was partly on the basis of these that he won the financial support of longtime admirers Francis Ford Coppola and George Lucas. Set in the 16th century, when powerful warlords competed for control of Japan, it offers an examination of the nature of political power and the slipperiness of identity. For some time, Shingen Takeda Tatsuya Nakadai has been able to stay removed from the heat of battle by using his brother Nobukado Tsutomu Yamazaki as a double. As the film opens, Nobukado offers another option, having discovered a condemned thief (also played by Tatsuya Nakadai) bearing an uncanny resemblance to the warlord. After he insists on witnessing the fall of an enemy in person, Shingen falls victim to a sniper's bullet, forcing his advisers to present the thief as the fallen warrior. At first awkward in his new position and plagued by dreams in which the spirit of his double confronts him, he slowly grows into the role even as his enemies begin to advance on his kingdom. The winner of the Palm D'Or at Cannes, Kagemusha: The Shadow Warrior has also been released as The Double. ~ Keith Phipps, All Movie Guide
[More]
 
All Movie Guide Logo
Review by All Movie Guide
All Movie Guide
liked it.
Kagemusha was an atypical entry in the canon of Akira Kurosawa, the master of the samurai epic. At the time, Kurosawa was gradually losing his eyesight, and his films were developing an increasingly impressive visual splendor. However, in Kagemusha, the action sequences are much less thrilling than in Kurosawa's other samurai epics. Here his focus is on character development and philosophical discourse. The film swings like a pendulum between stillness and action, an occasionally jarring mix of David Lean-like panoramas with intimate character study. In Kagemusha (which translates as "shadow warrior"), Kurosawa examines the concept of the double as a means to delve into enigmatic and paradoxical philosophical issues of identity, power, self-worth, and leadership. At first, Tatsuya Nakadai appears a little stiff in the essential dual role of warlord and thief, but his performance relies on subtle differences of intonation and gesture to reveal the evolution of his character. As always, Kurosawa's exploration of the values of feudal Japan provokes contemporary audiences to make parallels with modern Japan, a tendency that did not necessarily endear him to his countrymen. In fact, by 1980 Kurosawa was such a persona non grata in Japan that he had not made a film in five years: Kagemusha would not have been made without the financial assistance of George Lucas and Francis Ford Coppola. ~ Dan Jardine, All Movie Guide
 

Community ratings

mavens
Spout mavens
liked it.
most people
Most people
liked it.

Other opinions

chesterfilms
chesterfilms
loved it.
rik_tod
rik_tod
loved it.
analogzombie
analogzombie
loved it.