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Juggernaut
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Directed by Richard Lester
Following his successful foray into swashbuckler comedy with The Three Musketeers and The Four Musketeers, director Richard Lester made what has proved to be one of the few quality films from the disaster craze that dominated filmmaking in the mid-'70s. Juggernaut is the pseudonym of a madman (Freddie Jones) who plants several steel drums aboard a luxury liner and calls the company's officials once the boat has put out to sea, demanding a large sum of money in exchange for instructions on how to defuse bombs inside the drums. Anthony Hopkins plays one of the company officials whose wife and children are aboard the ship, Omar Sharif is the ship's captain, Shirley Knight is a passenger who is also his mistress, and Richard Harris and David Hemmings are two members of the bomb disposal team, which is helicoptered onto the ship to defuse the explosives. As in many of Lester's best works, humor pops up in unexpected places; particularly memorable are Harris as the weary but wisecracking top dog among the explosives experts and Lester regular Roy Kinnear as a bumbling entertainment director desperately trying to distract the apprehensive passengers. ~ Tom Wiener, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
In the canon of Richard Lester's work, Juggernaut occupies a solid second rung, below his masterwork Petulia and his Beatles films (A Hard Day's Night and Help!), as well as his Dumas films (The Three Musketeers and The Four Musketeers). Here, Lester effortlessly rises above the mediocrity of the star-laden, special effects-driven disaster genre to something intimate and witty. The characters in Juggernaut are all weary and haggard looking, even before the discovery of the bombs aboard the cruise ship. Lester isn't interested in square-jawed heroism or plucky little people rising to the occasion. The characters aboard the floating bomb of a ship are all flawed: the captain is carrying on an adulterous affair, the bomb disposal team almost blow up the vessel on their first try at defusing, the roly-poly entertainment director is a bust at eliciting even a smile from the passengers, who are a sulking and hardly plucky lot. It's not an anti-genre film, though, because Lester and writer Richard Alan Simmons supply it with tart and sly humor, typical of Lester's best work. And finally, the suspense is real, in part because of the frailty of the characters. This is one disaster film where anything is possible and the survivor list might be very short indeed. ~ Tom Wiener, All Movie Guide
 

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