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Josie and the Pussycats
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Based on the animated hit TV show of the 1970s, Josie and the Pussycats is a live-action tale of a group of young girl rockers who desire to make it big. Josie (Rachael Leigh Cook), Val (Rosario Dawson), and Melody (Tara Reid) make up an aspiring garage band that is discovered by shady megalomaniac executive Wyatt Frame (Alan Cumming), the sidekick to MegaRecords boss Fiona (Parker Posey), who runs an industry powerhouse that has been grooming the very successful boy band Du Jour. Unbeknownst to the band, MegaRecords is a company whose real intent is to brainwash young people, with subliminal messages inserted in CDs to assure a healthy sales record. Josie and her crew soon latch on to the real deal behind their new label and are forced to choose between their burgeoning rock-star success and doing what's right for future music lovers. The film also stars Gabriel Mann as Josie's love interest/folk singer Alan M. Its soundtrack features work by Counting Crows' Adam Duritz, the Go-Go's Jane Wiedlin, and Babyface. Rachael Leigh Cook's voice was dubbed by Letters to Cleo's Kay Hanley for the film's musical set pieces. ~ Jason Clark, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
Satirizing teen wish-fulfillment fantasies as it satisfies them, Josie and the Pussycats provides just enough bite to set it apart from the cookie-cutter parade of high-gloss, adolescent-marketed offerings of the new century. Although laid on in thick, broad, fluorescent-hued strokes, Josie's pointed satire could never be mistaken for mere absurdity: the plot insinuates that boy bands, MTV, and mall record stores are all part of a corporate conspiracy to sell more Starbucks coffee and Abercrombie and Fitch T-shirts. Directors Deborah Kaplan and Harry Elfont occasionally let the film's staging and pacing go slack -- perhaps they should've reviewed a few more screwball comedies before shooting -- but they smartly keep the proceedings at Saturday morning-cartoon level (even the insidious subliminal-advertising generator is a giant, opaque plastic box). Better yet, leads Rachel Leigh Cook, Rosario Dawson, and Tara Reid strike a near-perfect balance between savvy and giddy. The film's catchy, proto-grunge soundtrack may be its greatest asset and -- at least commercially -- its biggest liability: full of raw power chords and hummable melodies, it's a throwback to the days of good punk-pop, as opposed to the saccharine, Britney-esque sound of its time. ~ Michael Hastings, All Movie Guide
 

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