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Joshua
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Directed by George Ratliff
Sam Rockwell and Vera Farmiga star in director George Ratliff's uncomfortable psychological thriller Joshua, as Brad and Abby Cairn, an affluent young stockbroker and his wife, raising children in New York City. Their firstborn, the nine-year-old Joshua (Jacob Kogan) is a frighteningly intelligent child - to such a degree that he thinks and acts decades ahead of his age. Nearly always clad in formal wear and demonstrating limitless brilliance as a pianist - with a marked predilection for "dissonant" classical pieces - Joshua gravitates toward his gay aesthete uncle (Dallas Roberts) as a close friend, but distances himself from his immediate kith - particularly when Abby brings a newborn baby sister home from the hospital and unwisely alienates the young tyke. As the days pass, one at a time, the mood at the house regresses from healthy and happy to strange, unsettled and disorienting; meanwhile, bizarre events transpire. As the baby's whines drive an already strained Abby to the point of a nervous breakdown, Joshua devolves from eccentric to downright sociopathic behavior, discarding all of his toys, disemboweling a stuffed animal, and killing off pets. One at a time, family members also begin to suffer tragic fates - but are they Joshua's fevered and psychotic doings or merely the result of happenstance? ~ Nathan Southern, All Movie Guide
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Review by All Movie Guide
All Movie Guide
is neutral about it.
The psycho kid flick -- from The Bad Seed to The Good Son -- tends to wallow in precocious camp and cheap devil child thrills. George Ratliff's Joshua attempts to revitalize the genre by injecting an element of realism. When his mom Abby (Vera Farmiga) and dad Brad (Sam Rockwell) give birth to a baby girl, Joshua (Jacob Kogan) starts to worry that not only will he have to share attention with his sister, but that his flowering sociopath tendencies will alienate him from his parents. A Bartok-loving piano prodigy who is terrible at sports and a model student, Joshua is the kind of sensitive but bright young boy routinely ostracized for his intelligence. He worries about being "weird," a stranger in his own home. Could such a kid really be ripe for serial killing? At its scariest, during the slow build of off screen "accidents," Joshua plays off the neuroses of the child's neo-yuppie Upper East Side parents. Abby, acting out a kind of post-partum Rosemary's Baby, gradually goes insane trying to care for the newborn, who won't stop crying, and Brad soon follows. Is Joshua threatening the baby? Rockwell delivers the most tonally appropriate performance as Brad, the kind of well-meaning iPod sporting dad, who is sympathetic and annoyingly self-centered at the same time. There is a dirty thrill in watching his world fall apart. But the insanity quickly gets irritating. There's a lot of screeching. Whether or not a parent is acting "crazy" in a given scene is indicated by their hair sticking up in thick-gelled clumps. But the primary problem is that Joshua's psychological manipulations takes place almost entirely off screen. This works at the beginning, when the slow moving dolly shots and teasing frames play with our anxieties. But the tension never builds past the first act, there are no confrontations with the child, and all we are left with is his silent presence -- no longer enigmatic but frustratingly inert. The end result is neither realistic, campy, or scary, just boring and ridiculous. ~ Michael Buening, All Movie Guide
 

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seedy4545
seedy4545
loved it.
dibot
dibot
liked it.
Indie
Indie
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slipofthetongue
slipofthetongue
lost interest.
Macabre_FilmNut
Macabre_FilmNut
disliked it.
FastBoat710
FastBoat710
is not interested.