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Johnny Got His Gun
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Directed by Dalton Trumbo
The author of the famous late 1930's antiwar book Johnny Got His Gun wrote and directed this film adaptation. It concerns a nameless young soldier (Timothy Bottoms) in a veteran's hospital in the World War I period. The young man has had his face blown off, he is without the use of any of his senses save touch, and also has no arms or legs. He is in a coma at the beginning of the film, and his doctors doubt that he will regain consciousness. This is also what they hope. A nurse, while changing his dressings, discovers that he is awake and responsive. The unrelieved awfulness of his situation is apparent to many. However, in order to keep the "good order" of the military, the regular Army general commanding the hospital will not allow the boy to be seen or his family notified, nor will he permit anyone to perform a mercy killing. Interspersed with this horror are flashbacks of the youth's life before the war. ~ Clarke Fountain, All Movie Guide
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WarMovieBlogWarMovieBlog Johnny Got His Gun (1971)
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"Artistically amazing, the plot is depressing and unsatisfying at points. " [More]
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Review by All Movie Guide
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Though he wrote the novel in 1939, when Hollywood Ten survivor Dalton Trumbo finally got to transform Johnny Got His Gun (1971) into a film, it had become all the more timely. A relentlessly grim antiwar allegory about a World War I soldier left with only his mind intact, Johnny Got His Gun spoke to the Vietnam era disgust with the hollow homilies about democracy and duty that only lead to personal annihilation. Trumbo's thought-provoking message about the deleterious effects of social and military myopia, however, is undermined by his own weaknesses as a first-time director. Though the central black-and-white images of Timothy Bottoms' faceless, armless, and legless Joe carry undeniable power, underscored by a padre's well-spoken assessment of the military's dehumanizing don't ask/don't tell attitude, Joe's color flashbacks and fantasies are a muddled, pretentious mess. The performances, including Jason Robards as Joe's father, Donald Sutherland as Jesus Christ, and Kathy Fields as The Girl, are similarly a mix of touching emotion and stilted theatrics. Regardless, Johnny Got His Gun won a prize at Cannes and remains a strikingly antiestablishment document. Health problems prevented Trumbo from directing again before he died in 1976. ~ Lucia Bozzola, All Movie Guide
 

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