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Invasion of the Body Snatchers
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Directed by Don Siegel
Don Siegel's classic exercise in psychological science fiction has often been interpreted as a cautionary fable about the blacklisting hysteria of the McCarthy era. It can be read as a political metaphor or enjoyed as a fine low-budget suspense movie, and it works well either way. Kevin McCarthy stars as Miles Bennel, a doctor in the small California community of Santa Mira, where several patients begin reporting that their loved ones don't seem to be themselves lately. They look the same but seem cold, emotionally distant, and somehow unfamiliar. The longer Miles looks into these reports, the more stock he places in them, and in time he makes a shocking discovery: aliens from another world are taking over Santa Mira, one citizen at a time. Emissaries from a distant planet have sent massive seed pods containing creatures that can assume the exact physical likeness of anyone they choose. When Santa Mirans go to sleep, the pod creatures take on the shape of their victims and then destroy their bodies. The aliens may look the same, but they possess no human emotions and, like plants, are concerned only with propagating themselves and eventually subsuming the earth. Needless to say, Miles and his friends are terrified, but since it's hard to tell who's a person and who's a pod, they're at a loss for what to do, especially when it seems that there are increasingly more aliens than humans. Invasion of the Body Snatchers builds tension slowly and steadily, dealing not in the shock of bug-eyed monsters common to other 1950s science-fiction movies but in the unnerving possibility that the enemy is among us -- and impossible to tell from our allies. The ultra-paranoid conclusion of Siegel's original cut was softened by Allied Artists, who added a framing device that suggested help was on the way. This coda was as effective in blunting the film's grim conclusion as giving a Band-Aid to a beheading victim; few films of the era make it more painfully clear that for these people (and maybe for ourselves), there's no turning back and no way home. Keep an eye peeled for a bit part by soon-to-be-legendary Western director Sam Peckinpah, who plays a meter reader and also (uncredited) helped write the screenplay. Based on a novel by Jack Finney, Invasion of the Body Snatchers was remade in 1978 by Philip Kaufman and in 1993 by Abel Ferrara (as Body Snatchers); and its influence can be felt from The Stepford Wives (1975) to The X-Files. ~ Mark Deming, All Movie Guide
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liked it.
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"This blog entry is part of my "movie year countdown round #2". Read more about that here. Invasion of the Body Snatchers This movie is one of the higher quality cheesy sci-fi movies of the 50's, but it is nonetheless a cheesy sci-fi movie. The polite " [More]
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"This is a list for Round 2 of my movie year countdown viewing project as first described here. If by any strange chance whoever is reading this is actually following along you may notice that I'm still less than two thirds of the way through my original one. Well I'm starting this new one because as much as I love old movies it can get a little tedious watching just older movies. So I' " [More]
chesterfilmschesterfilms Re: Top 5 Science Fiction
by chesterfilms in chesterfilms Blog
loved it.
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"OK. This one is gonna be hard for me. I'm calling this my Blade Runner Memorial list, and I'm gonna include Alien as a horror film (maybe I should call this my Ridley Scott memorial list). In fact to keep this interesting I'm going to leave off all of the obvious picks 2001, Close Encounters, Star Wars etc. 1. Invasion Of The Body Snatchers (1956) - Truly scary even by today's standards. I never tire of this film. The 1978 version is actually " [More]
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seelyseely Re:This Is Interesting..
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"Indeed... I think that its become to really easy to create a successful variation on a theme. Audiences don't seem to mind paying to see something they have seen ten times before in different guise... until people stop watching it, I think we're going to see more of the same. And I agree with your point about technology--there seems to be a trend to make a movie bigger and better rather than more original. Just look at all the unnecessary remakes in theatres now. There " [More]
TheWorkingDeadTheWorkingDead Re:This Is Interesting..
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Review by All Movie Guide
All Movie Guide
loved it.
Though it was an inexpensive production for B-movie studio Allied Artists, Don Siegel's Invasion of the Body Snatchers (1956) is a class-A 1950s science fiction allegory about the fragility of inner passion. With Siegel's matter-of-fact approach and "ordinary" small town setting and characters, the story about human possession by unexplained alien pods becomes all the more frightening; though the pods are from elsewhere, the "monsters" assume human faces. While the pods have often been seen as a Cold War sci-fi metaphor for Communist infiltration of American society, they are an equally compelling symbol of soul-deadening 1950s suburban conformity. Siegel himself liked to assert that the Hollywood studios were filled with pods; and when Allied Artists saw Siegel's bleak ending, they demanded a prologue and epilogue that added an element of hope. The "Siegel version" of Invasion of the Body Snatchers, however, was seen in Europe and "underground" American screenings, before the 1979 reissue officially deleted the studio-mandated additions. Though it has been remade twice, in 1978 by Philip Kaufman and 1994 by Abel Ferrara, Siegel's tightly constructed, black-and-white version remains the best adaptation of the Jack Finney story. The movie also features a cameo appearance by Siegel assistant Sam Peckinpah. ~ Lucia Bozzola, All Movie Guide
 

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