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Indiana Jones and the Kingdom of the Crystal Skull
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All reviews for Indiana Jones and the Kingdom of the Crystal Skull

    WindbreakerWindbreaker Indy jumps the shark
    by Windbreaker in Windbreaker!
    lost interest.
    Was this review helpful? [Be the first to tell us!]
    "We saw CRYSTAL SKULL last year when it came out, but apparently I never commented on it. I wouldn't be disappointed if I only saw it one more time in my lifetime. I didn't NOT like it, I just wasn't thrilled by it. The wife said she was almost bored and I couldn't really disagree with her. I think because Indy & Co. never seemed to really be in peril. Or the frest of the ree world, you know? If that Nazis got a hold of that ark, the world would change overnight. I think the psy-ops plot device could be okay if we had a hint of its use. Like instead of Blanchet's character just trying to break into Indy's head, let us see the impacts of her ability. In the movie I felt like she may have been a con artist -- no psychic ability whatsoever. But I'm pretty sure Lucas/Spielberg intended her to have some sort of gift. Also, way too many fake looking sets. What, is everyone afraid to shoot outdoors on location because of personal injury lawyers?! And one last comment: Kar ... " [More]
    SpoutBlogSpoutBlog 5 Actors Who Shamefully Returne ...
    by SpoutBlog in SpoutBlog on spout.com
    hasn't rated it.
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    "Next week, Vin Diesel returns (along with Paul Walker, Michelle Rodriguez and Jordanna Brewster) to the Fast and the Furious franchise, which he’d abandoned after the first movie (he did have a cameo in part 3). When news first hit that he’d be reprising the role of Dominic Toretto for the fourth installment, simply titled Fast & Furious, most of us saw the actor as returning under a veil of shame. Because he initially departed the series with an inflated ego — and with it unrealistic salary demands — it does seem obvious that Diesel is now only desperately crawling back because his career failed to take off the way he’d hoped it would. This is quite sad considering not even Steve Guttenberg ever crawled back to the [More]
    SpoutBlogSpoutBlog 10 Defenses for Howard the Duck
    by SpoutBlog in SpoutBlog on spout.com
    hasn't rated it.
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    "If you buy the kids only one new video release this week, make it Pinocchio. Obviously. But if you have enough spending money to buy two, pick up Howard the Duck as well. Finally on DVD in America (with a Special Edition no less), the infamous flop is anything but a great film. Yet it is hardly one of the worst films of the 1980s, despite its reputation. For the past 23 years, I’ve stood by my childhood love for Howard the Duck, constantly acknowledging that I even owned Ellis Weiner’s novelization of the film. Technically, the best reason to defend the movie’s existence is that it directly led to the creation of Pixar. But this reason doesn’t influence anyone to watch the thing. So, in order to defend the movie’s onscreen worth, I’ve come up with ten points for why you should pick up the new Howard the Duck disc and not feel at all guilty about doing so. < " [More]
    SpoutBlogSpoutBlog 5 Reasons a Watchmen Movie Was ...
    by SpoutBlog in SpoutBlog on spout.com
    hasn't rated it.
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    "Many smart cinephiles and comic book geeks will avoid watching Watchmen this weekend. Not to avoid the crowds of opening weekend, and not to patiently await word of mouth from friends and reactions from critics. No, these bright few will ignore the out-of-season blockbuster event because there is absolutely no reason to see this movie. They recognize that any Watchmen adaptation (particularly this one that’s been made) is completely unnecessary. Well, for anyone not out to profit from it, anyway. Of course, even Warner Bros. might have been better off not producing the thing, since the studio won’t be making as much money as it had initially envisioned thanks to that profit-participation settlement with Fox. The point of this post is not to call Watchmen watchers stupid. Rather, our list of five reasons the film is unnecessary is to help moviegoers get smart. After reading this, though, if any of you are still determined to waste your time sitting through almost 3 hours of redundan " [More]
    SpoutBlogSpoutBlog 10 Movies Ruined by a Former Ch ...
    by SpoutBlog in SpoutBlog on spout.com
    hasn't rated it.
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    "Are you one of the many sci-fi and comic book geeks who’d be more interested in Push were it not for Dakota Fanning? Sure, the precocious child star is now a teen actress (she’s about to turn 15), yet that probably makes you even more worried about her appearance in the movie. But what can you do? She’s literally everywhere this week – voicing the title character in the animated Coraline and starring in two new video releases, Hounddog and The Secret Life of Bees, both of which were released Tuesday. In the tradition of child actors continuing careers into adolescence, it’s only a matter of time before she ruins a movie that would have been better without her. We’ll have to wait until this weekend to see if that time is now, with Push, but in the meantime let’s take a look at some of the past offenders in this tradition. Most of the following " [More]
    SpoutBlogSpoutBlog 5 Film Franchises That Need a G ...
    by SpoutBlog in SpoutBlog on spout.com
    hasn't rated it.
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    "Both are broadly classifiable as science fiction, but Alien is basically a horror flick and Aliens has all the conventions of a war film. That’s a pretty slick transition from one type of movie to another, especially since the switch was so immediate within the series. Most movie franchises don’t play with genre in such a way until they’ve gone through a number of sequels, and even then the series usually just simply takes its characters into outer space, a la Moonraker, Jason X and Leprechaun 4. Genre jumping isn’t that easy, though, unless a franchise inhabits a whole universe in which to expand through. Like Star Wars, for example. Originally a film series, the Star Wars franchise spread out into novels, which has allowed " [More]
    SpoutBlogSpoutBlog 10 Box Office Champs That Are A ...
    by SpoutBlog in SpoutBlog on spout.com
    hasn't rated it.
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    "The fanboys are so serious about The Dark Knight being the best film of 2008 that if the Academy snubs the comic-book adaptation for a Best Picture nomination, they’re liable to storm the Kodak Theatre on February 22 in protest. But why should anyone be worried that it won’t get the nomination? It wouldn’t be much of a coup for the year’s top-grossing blockbuster to be named one of the five Best Picture candidates. In fact, since the very first Academy Awards, the top award has often been handed out to films that were #1 at the box office in their respective year. And the last time it happened was as recent as 2003, with The Lord of the Rings: The Return of the King. Thanks to popular and talented filmmakers like D.W. Griffith, Walt Disney, David Lean and Steven Spielberg, it’s hardly uncommon for films to make money and earn critical respect. But this isn’t an opportunity to spotlight overrated top-grossing Best Pictures like [More]
    ApronikoffApronikoff Don't believe the backlash
    by Apronikoff in Apronikoff Blog
    hasn't rated it.
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    "I truly think this was the most underrated film of 2008. Granted it was not a great movie or an instant classic, but so many of the reviews treated this as some kind of an abomination, as an affront to the classic series. The fact is that this was a fun movie, filmed in a classic adventure style that I found a welcome change from the close-up/quick-cut style of films like The Dark Knight and Quantum of Solace. The story was clever; a smart update of the series to accomodate Ford's age. It fulfilled everything I was looking for from a new Indy movie. I honestly think that most of the folks who truly hated this movie were blinded by nostalgia for the first three films. Was this a new Raiders of the Lost Ark? No, of course not. But it was at least as good as "Temple of Doom" and no one says (like Stone and Parker said of this film on South Park) that Doom represtented Spielberg and Lucas raping the character. If you've yet to see this, I heartily recommend that you ignore the b ... " [More]
    stacey042stacey042 Indiana Jones and Aliens
    by stacey042 in stacey042 Blog
    hasn't rated it.
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    "Like the previous Indiana Jones movies, a little bit of history and archaeological adventures go a long way in the movie industry, at least when produced accordingly. In the eyes of a child or adventure seeker, Indiana Jones may even promote a career in archaeology to be seen as “cooool.” Long story short, Indiana Jones is sent on another adventure trying to return a mysterious crystallized alien skull back to its secret location. Soviets follow Jones and his companions in an attempt to steal the skull away from Jones. The bulk of the movie was pretty entertaining in the appropriate Jones’ fashion, but perhaps the movie appeared better than it really was because of the favorable nostalgia behind the movie series. I think it’s even safe to say that the series is a classic. One thing to note: why do a lot of adventure movies tend to end the movie with something imploding or self-destructing (e.g. temple, pyramid, underground tomb, etc.)? Maybe the directors or ... " [More]
    SpoutBlogSpoutBlog 5 Most Offensive Uses of Specia ...
    by SpoutBlog in SpoutBlog on spout.com
    hasn't rated it.
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    "Should special effects only be used to service a film’s story, or is it perfectly fine for movies to feature extraneous spectacle? That’s a debate that comes up often among cineastes, but ultimately there’s room for both functions. Sometimes, in cases like Jurassic Park and The Matrix, both categories of effects may even faultlessly coexist in the same film. Yet there is one kind of effects employment that’s intolerable to all film-loving parties: the gratuitous exploitation for the sole purpose of brazen gimmickry. It’s this kind of effects work that goes beyond spectacle. It’s not so much a show as a show off. For one example of this cinematic sin check out Karina’s review of The Curious Case of Benjamin Button, in which she references a scene featuring an inessential and irrelevant rocket launch in the background of an otherwise intimate moment between " [More]
 
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