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Indiana Jones [Film Series] ( )
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All reviews for Indiana Jones [Film Series]
10 Movies Ruined by a Former Ch ...
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"Are you one of the many sci-fi and comic book geeks who’d be more interested in Push were it not for Dakota Fanning? Sure, the precocious child star is now a teen actress (she’s about to turn 15), yet that probably makes you even more worried about her appearance in the movie. But what can you do? She’s literally everywhere this week – voicing the title character in the animated Coraline and starring in two new video releases, Hounddog and The Secret Life of Bees, both of which were released Tuesday. In the tradition of child actors continuing careers into adolescence, it’s only a matter of time before she ruins a movie that would have been better without her. We’ll have to wait until this weekend to see if that time is now, with Push, but in the meantime let’s take a look at some of the past offenders in this tradition. Most of the following "
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5 Film Franchises That Need a G ...
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"Both are broadly classifiable as science fiction, but Alien is basically a horror flick and Aliens has all the conventions of a war film. That’s a pretty slick transition from one type of movie to another, especially since the switch was so immediate within the series. Most movie franchises don’t play with genre in such a way until they’ve gone through a number of sequels, and even then the series usually just simply takes its characters into outer space, a la Moonraker, Jason X and Leprechaun 4. Genre jumping isn’t that easy, though, unless a franchise inhabits a whole universe in which to expand through. Like Star Wars, for example. Originally a film series, the Star Wars franchise spread out into novels, which has allowed "
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Our Favorite Jeffrey Wells Mome ...
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"It is a crime in this day and age not to occasionally check in on Jeffrey Wells’ Hollywood Elsewhere, with topics ranging from billboard photos, blind item brunches and oddly angry political rants against apathetic teenagers. Wells is a classic mix of online reactionary and keen insight, peppered with various “what the fuck” moments and the occasional non sequitur involving Paris Hilton and Al-Qaeda. To ring in the New Year, let’s take a quick look back at our favorite blogged remarks from the man who confused Mike D’Angelo with Ed Gonzales, and whose random photos of restaurants and lawns oddly resemble–for lack of a better term–art. Also, any use of bold is for emphasis and my own editorial comments are in italics.
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Eight Films Built Around a Nazi ...
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"When it comes to lazy film clichés, Nazis are one step above slow-motion gunfights and barely underneath “the hero must get the girl and save the day.” It’s fitting that Nazis manage to encompass everything from being the symbol for the Big, Bad Guy to perversion, occult beliefs and Holocaust Porn. Pop a swastika on someone and it becomes abundantly clear he’s the bad guy, whether it’s Samuel L. Jackson ripping through shoddy green screen in The Spirit or the lit-deviant prison guard Kate Winslet tackles in The Reader. But sometimes, there are types of films that need to go “Full Nazi.” These select few films embrace the red, black and white because they’d have no other claim to fame otherwise. The eight films below have merit on their own, but it is through their use of the Nazi symbols that they remain on the cultural brain.
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5 Most Offensive Uses of Specia ...
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"Should special effects only be used to service a film’s story, or is it perfectly fine for movies to feature extraneous spectacle? That’s a debate that comes up often among cineastes, but ultimately there’s room for both functions. Sometimes, in cases like Jurassic Park and The Matrix, both categories of effects may even faultlessly coexist in the same film. Yet there is one kind of effects employment that’s intolerable to all film-loving parties: the gratuitous exploitation for the sole purpose of brazen gimmickry. It’s this kind of effects work that goes beyond spectacle. It’s not so much a show as a show off. For one example of this cinematic sin check out Karina’s review of The Curious Case of Benjamin Button, in which she references a scene featuring an inessential and irrelevant rocket launch in the background of an otherwise intimate moment between "
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'Mummy' Issues
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"During a climactic battle scene in “The Mummy: Curse of the Tomb of the Something or Other,” Brender Fraser's charactrer, What's His Name, bellows: “I really hate mummies.”(At least, I'm pretty sure he said, “mummies,” as there was nothing prior to this that would suggest he said “mommies,” as there was no strained parental issues of his discussed in this film.) Regardless, I could not agree agree more, Brenden. “The Mummy” is not so much a film as it is a marathon for the senses, testing the threshold your eyes and ears can endure. When it's not busy reminding you of earlier, far better films, it's pounding your peepers and pummeling your drums into submission. It's difficult to look past its flaws, for the mere conception of this film is one – a story as lifeless and dry as an empty sarcophagus, this third “Mummy” can't even muster enough credibility to pass its non-computer-generated cast as be ... "
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Hellboy Inside the Actor’s Stud ...
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"Who needs Will Ferrell’s impersonation when the real James Lipton is willing to do stuff like this. It’s short, it’s sweet and it’s helping me maintain my excitement for Hellboy II: The Golden Army. And I wasn’t even a fan of the first movie. In fact, I can’t remember a darn thing about Hellboy except for the Nazi-heavy prologue, which gave me the first impression of Indiana Jones knockoff (the subsequent plot made me think Indy meets Men in Black). Fortunately, the follow-up looks more like Pan’s Labyrinth, which was at least directed by Hellboy helmer Guillermo Del Toro. To get me back up to speed before Hellboy II drops next Friday, I’ve rented the DVD o "
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'Indiana Jones' and the Expecta ...
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"About 20 minutes into 'Indiana Jones and the Kingdom of the Crystal Skull,' there is a humdinger of a chase that glides and slides through the streets and corridors around the campus where the legendary Dr. Jones (Harrison Ford) is a Professor. I'm not sure exactly how the conclusion of the chase affected the plot, but I do remember that it ended with a punchline - and nobody in the theater laughed. It's sad to say, but a heck of a lot of this new adventure plays like a parody of the (much better) films that have gone before. I'd like to think I gave the film a fair shot. As with the previous Indiana Jones adventures, we open on something natural that resembles the Paramount logo, followed by the credits in the elegant typeface that has graced each film (save 'Temple of Doom'). A simple, fun sequence orients us that this story takes place in 1957, and we end on a military base hidden in the middle of the desert. So far, so good. It's even exciting to get our first glimpse of Indy's ... "
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Archaelogists Divided on Indian ...
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"With the fourth installment of the adventure series, Indiana Jones and the Kingdom of the Crystal Skull, hitting theaters in a week, there’s too much debate going on as to the real-life relevance of Dr. Jones. Is he a crook, as was suggested last month? Or is he a model archaeologist, enough to be granted leading membership into the Archaeological Institute of America? Apparently Indiana Jones portrayer Harrison Ford has been elected to the AIA’s board of directors, as a way of honoring the fact that his iconic character has “played a major part in stimulating interest in the field of archaeological exploration.” Yet in the same week, ABC News has another report on how archaeologists view the guy most associated with their profession. And somehow one member of the Archaeological Institute is quoted as contradicting the organization’s inclusion of Ford as a member. Mark Rose, AIA’ "
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Vacation the Indiana Jones Way
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"Indiana Jones’ adventures may be both work-related and dangerous, but you know he’s having fun. And now you can experience some of that fun thanks to Expedia. The travel company has planned ten different vacations inspired by the four Indiana Jones films, including this summer’s Indiana Jones and the Kingdom of the Crystal Skull, of course, plus the series The Young Indiana Jones Chronicles. It’s doubtful that you’ll run into any Nazis or booby traps or any other sort of trouble, but considering you’re not Indy, you’re better off as safe as possible. Expedia has itineraries in nine countries, including the U.S., in which a trip to the Southwest is tied into the Young Indy prologue of Indiana Jones and the Last Crusade. Other vacations related to Last Crusade include Italy (specifically Venice) and Jordan. The Young Indiana Jones Chronicles inspired a trip to Mexico, Raiders of the Lost Ark has inspired trips to Peru, Egypt and Nepal,
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