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In the Heat of the Night
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Directed by Norman Jewison
The winner of the 1967 Oscar for Best Picture (as well as four other Oscars), In the Heat of the Night is set in a small Mississippi town where an unusual murder has been committed. Rod Steiger plays sheriff Bill Gillespie, a good lawman despite his racial prejudices. When Virgil Tibbs (Sidney Poitier), a well-dressed northern African-American, comes to town, Gillespie instinctively puts him under arrest as a murder suspect. Tibbs reveals himself to be a Philadelphia police detective; after he and Gillespie come to a grudging understanding of one another, Tibbs offers to help in Gillespie's investigation. As the case progresses, both Gillespie and Tibbs betray a tendency to jump to culture-dictated conclusions. Still, the case is solved thanks to the informal teamwork of the two law officers. Based on the novel by John Ball, In the Heat of the Night inspired two sequels, both starring Poiter as Virgil Tibbs. In 1987, a TV series version of In the Heat of the Night appeared, with Carroll O'Connor as Gillespie and Howard Rollins as Tibbs. ~ Hal Erickson, All Movie Guide
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dibotdibot Blow-Up Rio Bravo In the Heat o ...
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"I now know why people love John Wayne ("The Shootist"). Directed by Howard Hawks ("Rio Lobo"), Rio Bravo stars Wayne as a sheriff in an old-west town trying to hold a powerful man in jail until the Marshall comes. For help he has a recovering alcoholic deputy, played beautifully by Dean Martin ("Cannonball Run II"), and an old hilarious, crotchety jail keeper, played by Walte " [More]
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"The film begins by the white sherrif of this tiny little town discovering a murder and then arresting the first black man he can find. Now the absolute best scene in the entire film is were Poitier announces he is a cop as well. Its sort of similar to Crash in the whole needing help from the last possible individual on earth you wish to accept it from - but this film is only about 18x better than Crash. I also like how the racist undertones in this film make way more sense then the random acts t " [More]
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Review by All Movie Guide
All Movie Guide
loved it.
Norman Jewison's In The Heat of the Night was one of the unlikeliest hits to come out of 1967. Few issues were more provocative or dangerous to discuss in private, much less on screen, than race relations in the United States, and that went double for the Deep South, where the movie (based on John Ball's book) was set. Additionally, the country didn't seem to be clamoring for that kind of discussion: to this day, Roger Corman's The Intruder (1961) is the only theatrical film ever made about school integration in the South. Jewison defied every piece of industry wisdom and won out, mostly because he played it straight and honest, with a cast led by two actors who could hardly have been improved upon for the parts they played. The thematic set-up was surprisingly similar to The Defiant Ones, in which Poitier had co-starred for Stanley Kramer nine years earlier, but the directorial touch was smoother and the film was filled with an enviable range of wonderful supporting performances. In The Heat of the Night was successful enough to generate a brace of films that tried for the same mix of topicality and drama (as well as two sequels, They Call Me Mister Tibbs and The Organization that were more action-oriented), among them William Wyler's The Liberation of L.B. Jones (which came from the same screenwriter), Lamont Johnson's made-for-television My Sweet Charlie, and Ralph Nelson's Tick Tick Tick, all of which opened race relations to more honest and straightforward cinematic exploration. ~ Bruce Eder, All Movie Guide
 

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