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In America
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Directed by Jim Sheridan
After chronicling various chapters of Irish history in such films as In the Name of the Father and The Field, writer/director Jim Sheridan turns his lens upon his own family's experiences immigrating to the United States in the aptly titled In America. The loosely autobiographical script centers on Johnny (Paddy Considine), a young actor sneaking his wife, Sarah (Samantha Morton), and daughters, Christy and Ariel (real-life sisters Sarah and Emma Bolger, respectively), over the Canadian border in the hopes of jump-starting his career in New York City. They soon find that America is not the land of boundless opportunity, however, as they move into a dank, dilapidated apartment building populated by drug dealers, transients, and thugs. Johnny doesn't snag auditions as easily as he may have hoped, and he and Sarah are forced to take meager jobs after spending their savings on food, rent, and utilities. Still in grief over the untimely death of their toddler son back in Ireland, the couple find their relationship further strained by the pressures of life in the city. Little by little, however, things begin to look up for the fiercely protective family unit, especially when they befriend an eccentric artist neighbor named Mateo (Djimon Hounsou). In America saw its world premiere at the 2002 Toronto International Film Festival and played to enthusiastic crowds at the 2003 Sundance Film Festival before its theatrical release in the fall of that year. ~ Michael Hastings, All Movie Guide
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by leeroy711 in leeroy711 Blog
loved it.
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"***** out of 5 stars Directed By: Shane Meadows Starring: Paddy Considine, Toby Kebbell, and [More]
screenwriter99screenwriter99 In America
by screenwriter99 in screenwriter99 Blog
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"I can't recommend this film enough. Powerful, moving, poignant, excellent. " [More]
RisseladaRisselada Re:Weekly Theme for September 2 ...
by Risselada in Weekly Theme
"[quote user="leeroy711"] In America is another one by Sheridan that's closing scene is downright impossible to watch with dry eyes. [/quote] I'll agree with that, but I would tend to put it more in the category of the I Am Sam kind of movies. Not really an honest cry. More of a manipulated one " [More]
leeroy711leeroy711 Re:Weekly Theme for September 2 ...
by leeroy711 in Weekly Theme
"Well it took me a little while to chime in on this one but I would say that anytime I think of tear jerking films I think of one director that seems to do it to me everytime. Jim Sheridan's films are almost always great for a good cry. The Field with Richard Harris has some of the most frustrating scenes of heartbreak ever. I just watched this one for the first time a few weeks ago it was the first fil " [More]
leeroy711leeroy711 Re: Top 5 Tear Jerking Scenes
by leeroy711 in Top 5
"Allright this may not be the top 5 but I'm surprised Jim Sheridan isn't on the list at all. 1. In The Name Of The Father - When his father dies chokes me every time2. In America - The end, when his dauhgters tell him to "say goodbye, daddy"3. [More]
RisseladaRisselada Your overrated list
by Risselada in Totally Over-rated
"Swingers's detail pageI thought I wouldn't like participating in this group at first because it get's frustrating complaining about movies, but I can't seem to hold myself back. Puhnner, you asked me to list some of my overrated movies, referring to my definition of overrated by ratio. Well I'm not sure if this is going by the same criteria, but I've come up with a list from another source.&nbs " [More]
All Movie Guide Logo
Review by All Movie Guide
All Movie Guide
liked it.
Over the course of four unflinching portraits of stubborn, headstrong Irish antiheroes -- My Left Foot, The Field, In the Name of the Father, and The Boxer -- no one could ever accuse writer/director Jim Sheridan of viewing the past through rose-colored glasses. That is, until In America, the filmmaker's effective but sentimental account of one family's not-so-legal immigration to New York City. No matter how many incidents in Sheridan's semi-autobiographical script are purportedly true-to-life, as presented, many of them seem unbelievable, among them: that two parents would let their daughters freely roam the halls of their seedy, drug-addict-infested tenement building; that a father would wager his family's savings on a carnival game; and that an unlikely benefactor would rescue said family from financial ruin. Despite -- or perhaps because of -- these implausibilities, In America plays more along the lines of sweet-natured fable than gritty family drama, an observation only enhanced by the film's scene-stealing pair of child actors, sisters Sarah and Emma Bolger. As the not-so-sensible parents, Paddy Considine is alternately endearing and infuriating, and Samantha Morton inappropriately seethes for most of the film's running time. Sheridan intermittently finds the right tone for the material -- wistful, bittersweet nostalgia -- but one can't help but think that if he had been more in tune with his impish daughter characters, In America would have been classic instead of just fine. ~ Michael Hastings, All Movie Guide
 

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