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Imprint
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Directed by Takashi Miike
An American journalist in search of the love he once left behind travels to a mysterious Japanese island where the past is best left forgotten in the one installment of Showtime's Masters of Horror series that was too controversial for American television. It was long ago that Christopher (Billy Drago) met the mysterious prostitute who captured his heart, but their grim fate was forever sealed when he left the island with only a promise to return one day in the future. Unlike many of the insincere souls who promise to spirit the prostitutes away from the dark and infernal island, Christopher actually made good on his word. However, life is cheap on this bewitched island where the local brothel is the sole refuge for weary souls, and though he ultimately proved to be a rare exception to the rule, Christopher has taken far too long to fulfill his promise. Now, as he shares his woeful tale with a horribly scarred whore (Youki Kudoh) whose knowledge of his long lost love's true fate may prove more of a curse than a blessing, Christopher is about to discover that there are times when death can be the kindest release of all. ~ Jason Buchanan, All Movie Guide
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dibotdibot Masters of Horror Marathon Part 2
by dibot in dibot Blog
liked it.
Was this review helpful? [Be the first to tell us!]
"Imprint, from director Takashi Miike ("God's Puzzle"), has scarred me for life. The acting is atrocious, but the story and the gore and the whole thing (abortions anyone?) turned my stomach. And yet, I couldn't look away.Jenifer, from di " [More]
muz1muz1 Not quite horror
by muz1 in muz1 Blog
is neutral about it.
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"Fans will recognize the director's name from his disturbing movie "Audition," and will likely compare these two films.  It isn't quite "horror" though it is horrifying.  I never read the story it is based on, but according to the author (on on of the extra reels on the DVD) she liked Miike's version almost better than her own.  Billy Drago's disinct facial features add to the overall feel of the movie, unfotunately his acting does not.  This is a story about a " [More]
JJ79JJ79 Imprint (2006)
by JJ79 in JJ79 Blog
hasn't rated it.
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glowbuggglowbugg The best Masters of Horror ever!
by glowbugg in glowbugg ramblings
loved it.
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"The name Takashi Miike is not synonymous with horror, but with that being said, he has truely mastered the most horrorific episode of The Masters of Horror series. I purchased this before I had seen it just based on the buzz and the fact that I love Takashi Miike. I was not disappointed in the least. Although Billy Drago appears to be on some sort of major downer (like heroin), his dull and spacey delivery makes the film that much creepier. The scenes of torture are so real and almost unbearable " [More]
lukasblulukasblu Re: Masters of Horror
by lukasblu in HORROR MOVIES 101
""Pelts",the most goriest masters of horror i have seen.Just got "Jenifer" and "Dance of the Dead" in the mail but i have not watched it yet.Will definitely check out "Cigarette Burns "after i watch jenifer and dance of the dead.Have you seen Deer Woman and Sick Girl?I liked [More]
lukasblulukasblu Re: Confusing Ending?
by lukasblu in What An Ending
"from the three extremes short films "box"(2004)by takashi miike had a conclusion that was pretty much left to the viewers own insight.Also,another t.miike short film, from the masters of horror series "[More]
lukasblulukasblu Re: masters of horror fans
by lukasblu in suspense-thriller-mystery-horror
""My favorite is "Imprint" by Takashi Miike. Truely horrorific and difficult to watch at times. I loved it!!"Just finished watching imprint moments ago and it is definitely the most disturbing story of all the masters of horror i have seen.One such scene is the many steps of komonos torture,it was intrigueingly disturbing;It is the 2nd grossest next to "pelts". " [More]
All Movie Guide Logo
Review by All Movie Guide
Upon announcing that they would not be airing notorious celluloid outlaw Takashi Miike's unrelenting and uncompromising entry into Mick Garris' oft-tepid Masters of Horror series due to concerns over its extreme content, pay-cable giant Showtime caught quite a bit of flack for flinching, and rightly so. Touted from the onset as a series that would allow filmmakers complete creative control over their vision while allowing them the rare opportunity (at least as far as horror anthology shows are concerned) to work outside of the increasingly stringent restraints of network television, the so-called "Masters" would ultimately go on to prove just how much value they truly placed on artistic freedom by censoring Dario Argento's expectedly gory entry and refusing outright to air Miike's episode in America. Ultimately relegated to a world premiere on the United Kingdom's Bravo network, Miike's Imprint is every bit as shocking, original, horrific, and audacious as one would hope for from a series bold enough to proclaim that it was presenting the works of the "Masters" of an entire genre. Stated simply, Imprint is horror in its purest and most powerful form. A surreal and devastatingly horrific journey to an island hell that seems to have bubbled up from the deepest pits of the underworld after being deemed too morally corrupt by Old Scratch himself, Imprint tells the tale of an American journalist named Christopher who has returned to an island populated by sadistic whores and saki-swilling murderers to rescue the prostitute he loves and spirit her away to America so that the pair may live happily ever after. His return has come too little too late, however, and upon discovering that his love seems to have been swallowed up by the scourge that has engulfed the land, Christopher's quest to seek out the truth behind her disappearance quickly leads him down a pitch-black path of torture, abortion, alcoholism, abuse, incest, deformity, and lies -- all punctuated by flinch-testing footage that will no doubt be considered shocking to even the most seasoned Miike fan. It's obvious that Miike took the "no restrictions, no compromises" mantra of the Masters of Horror to heart, and one would think that Garris and company knew what they were in for when they hired the man behind such notorious shockers as Audition and Ichi the Killer. Though the dialogue in Miike's first English-language production is frequently stilted and often awkward, the strange vocal cadence of the performers actually ends up helping to maintain the off-kilter atmosphere of the film by placing it in a world that seems to exist somewhere far outside the natural realm. ~ Jason Buchanan, All Movie Guide
 

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