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Husbands and Wives (1992)
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Oscar Predictions: Surprises
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"Two more days until we find out who wins this year’s Academy Awards! Okay, so the exclamation point is more than forced. It’s been quite awhile since we’ve had even an ounce of excitement about the Oscars. But we mustn’t let predictability get us down. Sure, even the still-uncertain races (Penn vs. Rourke; Winslet vs. Streep; Man on Wire vs. Trouble the Water) are anything but interesting, because the everyman of 2009 couldn’t care less about who gave the year’s better performance and would probably be fine shrugging his shoulders at the TV screen in the event of a tie (or, better yet, irresolution). However, there’s one thing people keep forgetting about the Academy: they’re full of surprises. So, rather than just go with the easy, “predictable” predictions, we attempted to guess who and what will Crash the Oscars this year with a surprise victory — preferably the kind that adds an “ing” to “upset.” And once again, we’d like to e "
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Husbands and Wives (1992, USA, ...
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"Husbands and Wives is one of Woody Allen's more interesting films, taking his usual themes and presenting with a new style. The concept should be very familer to the director's fans: the romatic intrigues of two married couples, with the seemingly stable marridge of Gabe and Judy (Woody Allen and Mia Farrow) and the just broken up pair of Jack and Sally (Sydney Pollack and Judy Davis). What alters the film from Allen's typical technique is that it is shot in documentary style, with shaky, handheld camera work, choppy cutting and interviews with the film's characters. This technique means that unlike most Allen's films, he does not editoralize as much as observe and report. We see what happens and the interviewer asks questions, but the character's accoutns are unreliable, we don't know what they are really thinking what the true analsis of the situation is. The fact that the characters themeseleves are often unsure what of what they want adds to the confusion. In a way, this te ... "
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BONER JAMS '03.
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"To all of you who saw that embarrassing, border-line incomprehensible and hastily removed post from a while ago - I'm sorry for being weird about it and I hope this serves as an explanation of some kind. Officially "breaking up"(so-to-speak) a month after the fact is a weird, weird thing. But, good ultimately. i guess. No. It's good. It's completely terrifying and hard, but good and necessary. Closure is truly an amazing feeling, I've found. It was great to talk, and learn about scary new jobs and new long-distance boyfriends and other things I would have not missed out on knowing about if we weren't being so stupid. We talked everything out, and I could tell that it was a good conversation because I lost my appetite and wanted to cry. driving home and listening to a mix* I later found out was made for her by the new boyfriend before he headed home to LA, I kind of did a little. These were straight up hardcore over-the-top "I love you" jams that completely tore me up late 2004. ... "
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