Houseboat (1958)

Houseboat demonstrates exactly how important star power can be to some projects. Any number of actors could have made this frothy little romantic comedy, and the results would have been pleasant but instantly forgettable. Fortunately, Cary Grant and Sophia Loren were engaged for the parts, and so the otherwise mediocre Houseboat turns out to be a charming and engaging little piece of fluff. Forget the screenplay; its Oscar nomination notwithstanding, Houseboat's script is well structured and has some good dialogue, but is basically nothing more than standard sitcom fare. Likewise, Melville Shavelson's direction is neat and efficient, but uninspired. And while the kids in the cast -- especially Paul Peterson -- are good, they're not enough to make Houseboat stand out. Ah, but Grant and Loren, whether together or separate onscreen, provide some magic. The chemistry between the two is palpable and invaluable, but each is just as powerful even when the other is absent. Grant could walk through this kind of part with his eyes closed; that he puts so much into the part (yet still makes it looks so utterly effortless) is an example of why Grant was such an irreplaceable star. Loren, looking sensational, is a sensual tornado with a wonderful flair for light comedy. The difference in age between the two stars is a bit disconcerting, but there's nothing else to criticize about them. They make Houseboat worth watching -- and watching again. ~ Craig Butler, All Movie Guide