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Hollywood Shuffle
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Directed by Robert Townsend
This satirical look at the ambivalent relationship between Hollywood power brokers and African-American performers marked the writing, producing, and directing debut of Robert Townsend. The filmmaker also stars as Bobby Taylor, a struggling actor looking for his big break despite his family's and co-workers' reservations about his chosen career path. While working a day job flipping burgers, Bobby heads out to insulting cattle calls where white casting agents pass judgement on whether he seems "black enough." Meanwhile, he imagines himself playing Sam Spade, Rambo, and other movie heroes rather than the stereotypical roles actually available to him. When Bobby actually does win one such pimp-daddy part, however, he is forced to choose between accepting work that opens doors, but ultimately demeans him and returning to obscurity with his principles intact. Hollywood Shuffle's enormous supporting cast includes a wealth of black actors, from then-unknowns such as Damon Wayans to veterans such as 227 star Helen Martin. Self-financed and filmed on scraps of hand-me-down celluloid, the film helped establish actor Townsend as a director of note and also kick-started the career of co-screenwriter and co-star Keenen Ivory Wayans, who would cast Townsend in his own directorial debut the following year. ~ Brian J. Dillard, All Movie Guide
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Review by All Movie Guide
All Movie Guide
liked it.
This indie underdog mined the discontent of black Hollywood for parody and laughs earlier and better than Keenen Ivory Wayans's I'm Gonna Git You Sucka! or Spike Lee's Girl 6. Less lightweight than the former and less muddled than the latter, Robert Townsend's directorial debut glorifies the power of the celluloid dream machine even as he interrogates the ways it shortchanges black performers and audiences. Despite its richness, though, Hollywood Shuffle isn't an altogether successful film. The numerous movie spoofs, from escaped slaves and undead pimps to soul-brother action heroes, tend to run on longer than they should. The jheri-curl jokes have dated poorly, while the pervasive homophobia is all too typical of post-Eddie Murphy African-American comedy. Hollywood Shuffle remains a vital piece of filmmaking, however, because its broad humor is leavened with sympathetic characters and considerable vitriol. An accomplished supporting actor by the time he made this film, writer/director Townsend clearly knows the Hollywood system he skewers. He therefore saves his funniest and most barbed jokes for his portraits of condescending casting directors and back-stabbing fellow actors. Such performers as Starletta DuPois, Helen Martin, Anne-Marie Johnson, and David McKnight lend dramatic heft and real poignancy to the script's ideals-vs.-paychecks conflict. The picture's shoestring budget may show in every frame of borrowed film, but such production constraints only add urgency to Hollywood Shuffle's message. ~ Brian J. Dillard, All Movie Guide
 

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