Hit the Deck is the second film version of the same-named 1927 hit Broadway musical. Though updated for the 1950s, the basic plot remains the same. Sailors Tony Martin, Vic Damone and Russ Tamblyn spend their entire shore leave in pursuit of three beautiful gals. Martin is "that way" about Ann Miller, Damone is stuck on Jane Powell, and Russ Tamblyn only has eyes for Debbie Reynolds. Some fun is extracted from the fact that Tamblyn is the son of by-the-book admiral Walter Pidgeon. Additional comedy relief is provided by Alan King (the same!) and Henry Slate as a pair of dumb-dumb shore patrolmen. The Vincent Youmans-Leo Robin-Clifford Grey-Irving Caesar score includes such standards as "Sometimes I'm Happy", "I Know that You Know", and the showstopping "Hallelujah". The 1930 version of Hit the Deck, starring Jack Oakie, was filmed by RKO; that version was purchased by MGM and hasn't been seen publicly in nearly 70 years. ~ Hal Erickson, All Movie Guide
Review by All Movie Guide
All Movie Guide
lost interest.
Gobs pursuing gals while on shore leave was a situation that had served musical movies well for many years (see
On the Town,
Follow the Fleet,
Anchors Aweigh, etc.), but by 1955, it was a situation that needed some new twist if it wasn't to seem shopworn. Hit the Deck's screenplay doesn't find that new twist, and that fact -- plus some rather perfunctory dialogue -- keeps the film from being more than mildly entertaining. However, it does boast a starry cast that makes the proceedings enjoyable. The women come off rather better than the men, as neither
Vic Damone nor Tony Martin are great shakes dramatically.
Russ Tamblyn is somewhat better as an actor, and his dancing is exhilarating and energetic.
Debbie Reynolds and
Ann Miller are even more energetic, raising the roof with their several dance routines, and
Jane Powell is bright and winning. Production values are very good, with a finale that for sheer size is breathtaking (and is wonderfully orchestrated). Vincent Youmans' score is another selling point, containing a number of standards and lesser known gems.
Roy Rowland's direction is competent (nothing more), but
Hermes Pan's choreography is always lively. By 1955, Hit the Deck's time had passed, but it's a pleasant enough throwback. ~ Craig Butler, All Movie Guide