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Hedwig and The Angry Inch
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Adapted from the hit off-Broadway musical of the same name is this tale of an "internationally ignored" rock & roll singer who hails from Communist Berlin and who dreams of becoming an American sensation. Hedwig (John Cameron Mitchell), born a boy named Hansel, is raised by a single mother (Alberta Watson) who wishes to see her son do better than his poverty-stricken family. Some years later, Hansel is attracted to a good-looking American G.I, who promises a better life overseas for young Hansel, under one condition: that he undergo a sex-change operation to become a fully functional female who he can then marry. The operation is seriously botched, leaving the now-renamed Hedwig with an "angry inch" only to be stranded in a dingy Kansas trailer park on the day the Berlin Wall comes tumbling down. Hedwig then supports herself through a series of ill-fated lounge gigs and side jobs, meeting up with 16-year old Tommy Gnosis (Michael Pitt), a religious type who befriends her and later steals her songs and becomes the rock star Hedwig always dreamed of being. Undeterred, Hedwig continues to perform in the shadow of Tommy's sold-out stadium tour, attempting to make herself whole in spirit, if not physically. The film features several songs by composer Stephen Trask, who also appears as a member of Hedwig's disinterested rock band; Miriam Shor portrays Hedwig's newfound love and back-up singer. ~ Jason Clark, All Movie Guide
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pippin06pippin06 Hedwig and the Angry Inch Rocks ...
by pippin06 in Reel Thoughts
liked it.
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""Hedwig and the Angry Inch" constitutes the last of the indie quartet recently topping my Netflix queue, as well as an overlapping segue into the subsequent string of five LGBT-themed films that are next, all of which were nominated for Oscars. Hedwig was not nominated for an Oscar, but it won at least one Independent S " [More]
SpoutBlogSpoutBlog SXSW Review: Rainbow Around the ...
by SpoutBlog in SpoutBlog on spout.com
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"Rock musicals about rock stars are almost as tiring as independent films about independent filmmakers. They’re too self-involved and too self-satisfying, and they typically have nothing for an objective viewer to grab hold of. But at least with rock musicals, if the audience can dig th " [More]
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"Rainbow Around the Sun-Full TrailerAdd to My Profile | [More]
SpoutBlogSpoutBlog SXSW Preview: Rainbow Around Th ...
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glowbuggglowbugg Where can I get one of those wi ...
by glowbugg in glowbugg ramblings
loved it.
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"I loved this film! I usually dislike musicals that are on film, but I didn't pigeonhole this one as a musical, so much as a sing-a-long. John Cameron Mitchell did a fantastic job both musically and acting. I fell in love with the character (and his make-up applying abilities) right from the start. I was a bit confounded by his bandmate who appeared to be male, but sang and looked like a chick with a five o'clock shadow, but that just lent to the quirkiness of the whol " [More]
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by tmoney in Top 5
"This category can be music documentaries, musicals, performance films, movies about the music industry (please no one say empire records PLEASE.) 1. Once - I cannot say/blog enough good things about this special special film. It is so lovely and heartbreaking. Watch it. I am not a Frames fan, but the melodramatic rock is perfect for this kind of movie. 2.[More]
unemployedwaifunemployedwaif Queer Musicians + Film = ?
by unemployedwaif in Queer Cinema
"The addition of our talented new member nathan503 got me to thinking about representations of queer musicians and how they are portrayed and/or their music is used in film.For me, at least what is coming to mind at this moment, are the glam rockers; specifically Todd Haynes' Velvet Goldmine and John Cameron Mitchell's [More]
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Review by All Movie Guide
All Movie Guide
liked it.
A mixed-bag effort to translate John Cameron Mitchell and Stephen Trask's ambitious rock musical to the screen, this remains a worthwhile movie experience on any account, successfully opening up its heartfelt, often sad account of an "internationally ignored" rock singer suffering from a botched sex change operation. Mitchell's fierce, hypnotic performance is as indelible on film as it was on stage -- fearful, hilarious and moving. His direction is a bit less remarkable, as the movie offers much to look at, but little of it comes through in quite the same way as the music. The filmmakers too often literalize what should be expressed musically, which robs the viewer of some of the discoveries that might have made the film more successful. A few stretches sag as well, but the movie springs to life the most in its final reel -- when the title character takes on a young protégé (a quietly effective Michael Pitt) -- even if it fails to fully reach its emotional mark. Audiences at the 2001 Sundance Film Festival clearly found Hedwig refreshing: it won the Audience Award as well as a Grand Jury directing prize for Mitchell. ~ Jason Clark, All Movie Guide
 

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