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Harry and Walter Go to New York
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Directed by Mark Rydell
Harry and Walter Go to New York was born of the theory that, the more stars and money that you throw into a film, the better the film will be. The theory has seldom been proven true, and it certainly wasn't in this case. Harry (James Caan) and Walter (Elliot Gould) are a third-rate vaudeville team, playing tank towns in turn-of-the-century USA. Thrown into the hoosegow on a petty-theft charge, our heroes make the acquaintance of big-time crook Adam Worth (Michael Caine). Once they're sprung, Harry and Walter follow Worth to New York, with the intention of pulling off a huge bank robbery. Lissa Chestnut (Diane Keaton), a bird-brained suffragette, is also mixed up in the proceedings though she never seems certain of who or what her character is from one scene to the next. The film's one tangible asset is its meticulous re-creation of 1890s New York, courtesy of art director Harry Horner. ~ Hal Erickson, All Movie Guide
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Review by All Movie Guide
All Movie Guide
lost interest.
Harry and Walter Go to New York is a visual treat of a film. Theoni V. Aldredge's period costumes are perfect period. The various set, art and production designers have done a model job of creating a gorgeous 1890s look and feel. And expert cinematographer Laszlo Kovacs has captured it all in creamy-tinged photography that is simply scrumptious. If only the writers and director had bothered to put some laughs in this comedy, Harry would have been a film worth catching. Unfortunately, despite its beautiful visual appeal, Harry is a chore to sit through -- and this despite the presence of a talented cast. Talented -- but not always cast correctly, as is painfully the case with leading actors James Caan and Elliott Gould. Neither one seems to have the slightest idea how to play his character; considering how poorly written they are, this is understandable. But Diane Keaton, Charles Durning and Michael Caine face the same problem, and they manage to at least do decent jobs, if far from their best work. But Caan and Gould are actually painful to watch, and eventually become actively annoying. The real villains, of course, are the writers, who have crafted one of the deadliest comedy scripts in Hollywood history. Not far behind them is director Mark Rydell, who doesn't exhibit the slightest understanding of pacing, comic timing or the art of setting up a gag. Best advice: let Harry and Walter go to New York on their own, without any help from you. ~ Craig Butler, All Movie Guide
 

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