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Happiness
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Directed by Todd Solondz
After his 1995 breakthrough, Welcome to the Dollhouse, director Todd Solondz was courted by a number of studios to make a big-budget film with top stars. Instead, he chose to make this aggressively dark comedy-drama of perversions and twisted lives. Andy Kornbluth (Jon Lovitz) explodes with anger after rejection in a restaurant from Joy Jordan (Jane Adams), one of a trio of middle-class New Jersey sisters. Joy's sister Trish (Cynthia Stevenson), a housewife with three kids, is married to psychiatrist Bill (Dylan Baker), who counsels the lonely, overweight Allen (Philip Seymour Hoffman). Allen is obsessed with Joy's other sister, the successful poet Helen (Lara Flynn Boyle), all the while ignoring the attentions of his seemingly sweet yet overweight neighbor Kristina (Camryn Manheim). Bill has fantasies of turning an assault rifle on families in a park, masturbates to teen magazine photos, and develops an unhealthy interest in a classmate of his 11-year-old son, Billy (Rufus Read). After a telephone sales job, Joy moves on to substitute teach at an adult education class, where she falls prey to the advances of an insensitive cabdriver, Vlad (Jared Harris). Allen's series of obscene phone calls to Helen come to an end when she challenges him to come next door and carry out his sexual threats. Meanwhile, the sisters' parents, Lenny and Mona Jordan (Ben Gazzara and Louise Lasser), find their marriage collapsing after 40 years. Lenny has sparked the interest of divorcée Diane Freed (Elizabeth Ashley), but he actually would prefer to be alone. The path to happiness, it seems, is littered with dreams, despair, and abnormalities. Winner of the International Critics' prize at the 1998 Cannes Film Festival, Happiness met with much controversy both in pre-production and upon its release, as chronicled in producer Christine Vachon's book Shooting to Kill. ~ Bhob Stewart, All Movie Guide
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"“Ten years have passed since Happiness, but I prefer not to be beholden to the literalness of time or circumstance. I like to tweak things, get at stuff from a fresh angle, and so, for example, some characters have aged five years, some twenty years, some histories have been altere " [More]
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"“Ten years have passed since Happiness, but I prefer not to be beholden to the literalness of time or circumstance. I like to tweak things, get at stuff from a fresh angle, and so, for example, some characters have aged five years, some twenty years, some histories have been altere " [More]
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Review by All Movie Guide
All Movie Guide
liked it.
Easily one of the 1990s' most controversial films, Happiness evoked a broad range of opinions and emotions. Writer/director Todd Solondz, who debuted with Welcome to the Dollhouse, a portrait of suburbia as the site of a young girl's misery, followed it up with this troubling and thought-provoking exploration of the unhappiness that lurks behind the facades of normality. Some viewers objected to (or were impressed by) the frank depictions and descriptions of sex and masturbation, others were disturbed (or impressed) by the very idea of humanizing a pedophile by showing us the world through his eyes, and still others were troubled (or exhilarated) by that fact that they were laughing through it all. Where some critics saw daring originality, others saw self-conscious shock. Diverse story lines are skillfully balanced, and Solondz coaxes great performances from his varied cast. Love it or hate it, few viewers could deny Solondz's success in ensuring that a scene in which the pederast explains himself to his son is one of the most chilling and unforgettable of the decade. The movie may not always be pleasant to watch, but it is startlingly effective in making us consider the banal evil that goes hand in hand with our quest for happiness. ~ Matthew Doberman, All Movie Guide
 

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