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Half Baked (1997)
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All reviews for Half Baked
Tokin' of affection
by
usesoap
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usesoap Blog
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"A friend with weed is a friend indeed. That is the lesson to be extracted from the latest comedy off the Judd Apatow assembly line, “Pineapple Express.” While it may get anti-marijuana advocates abuzz with consternation, it's a sweet little trip until a dramatic shift to violence quite literally calls the cops to this feel-good party. “Express” is laced with guffaws and gunplay, and while not as startlingly schizophrenic as this summer's “Hancock,” it still feels as though its personalities are squished together in such a forced fashion, it threatens to disrupt the good vibes it garners through much of the film. And, like all of Apartow's blockbuster comedies before it (“Knocked Up,” Superbad,” “The 40-Year-Old Virgin”), it overstays its welcome by at least 30 minutes. Imagine, if you will, an entire film devoted to the ganja-clouded escapades of Brad Pitt's Floyd, the moviewestoner he portrayed in Tony Scott's &ldqu ... "
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Cannabis, Cupcakes, and Communism
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BigJeffLebowski
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BigJeffLebowski Blog
hasn't rated it.
1 out of 1 people found this review helpful.
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"If Smiley Face were directed by Spike Jonze, it would have been a masterpiece. Its script, by Dylan Haggerty, is consistently entertaining, frequently hysterical, and occasionally quite inventive in how it depicts a day in the life of its stoner protagonist. Perhaps even more importantly, it understands the episodic, tangential logic of the pothead. The specious associations, the noncommittal detours of thought and action, the staunch belief in the nobility of your quest, the disparity between what you mean to say and what actually comes out of your mouth; all are rendered with a knowing clarity that will be commended by the herbal enthusiast and will, hopefully, prove enlightening to those members of the square community who wouldn't know from personal experience. But just as brilliance borne of bong hits tends to collapse upon itself in sober language, so too does Haggerty's script in the hands of director Gregg Araki. The tones of the script and the direction are str ... "
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