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GoodFellas
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Directed by Martin Scorsese
Martin Scorsese explores the life of organized crime with his gritty, kinetic adaptation of Nicolas Pileggi's best-selling Wiseguy, the true-life account of mobster and FBI informant Henry Hill. Set to a true-to-period rock soundtrack, the story details the rise and fall of Hill, a half-Irish, half-Sicilian New York kid who grows up idolizing the "wise guys" in his impoverished Brooklyn neighborhood. He begins hanging around the mobsters, running errands and doing odd jobs until he gains the notice of local chieftain Paulie Cicero (Paul Sorvino), who takes him in as a surrogate son. As he reaches his teens, Hill (Ray Liotta) is inducted into the world of petty crime, where he distinguishes himself as a "stand-up guy" by choosing jail time over ratting on his accomplices. From that moment on, he is a part of the family. Along with his psychotic partner Tommy (Joe Pesci), he rises through the ranks to become Paulie's lieutenant; however, he quickly learns that, like his mentor Jimmy (Robert DeNiro), his ethnicity prevents him from ever becoming a "made guy," an actual member of the crime family. Soon he finds himself the target of both the feds and the mobsters, who feel that he has become a threat to their security with his reckless dealings. Goodfellas was rewarded with six Academy Award nominations including Best Picture; Pesci would walk away with Best Supporting Actor for his work. ~ Jeremy Beday, All Movie Guide
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pippin06pippin06 Viewing GoodFellas for the AFI ...
by pippin06 in Reel Thoughts
loved it.
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"What's the AFI Project, you ask? For more information, or if you just enjoy my bemused ramblings, read here:[More]
The_MOWThe_MOW A fairly good Mob movie
by The_MOW in The_MOW Blog
is neutral about it.
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"Based on the book "Wiseguys" by Nicholas Pileggi, "GoodFellas" is a fair Mob movie about former Mob member Henry Hill (Ray Liotta). Hill rises from a young man who does odd-jobs for members of his neighborhood Mob Family in the 1950s, to a man who becomes fed up with the life and turns State's witness to put away the Mobsters he admired as a boy. For a Mob movie, the violence is not much. However, it is sufficient for what is presented. If you want blood in a Mob movie " [More]
SpoutBlogSpoutBlog 10 Most Accessible Foreign Film ...
by SpoutBlog in SpoutBlog on spout.com
hasn't rated it.
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"Danny Boyle’s new crowd-pleasing film Slumdog Millionaire was originally intended " [More]
CinemaRianCinemaRian GoodFellas (1990, USA, Martin S ...
by CinemaRian in CinemaRian Blog
hasn't rated it.
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""You've never seen GoodFellas! How can you call yourself a movie fan and have never see GoodFellas?" I have been these asked question repeatedly over the last eight years and I have always been at a loss for an answer- it was just one of those movies that I had missed several times and could not easily fit into due to its relatively long length (two hours and twenty five minuets). And perhaps part of it w " [More]
SpoutBlogSpoutBlog If Saul Bass Designed the Star ...
by SpoutBlog in SpoutBlog on spout.com
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"Star Wars may have the most famous opening title sequence in film history, but in term " [More]
RisseladaRisselada Re:Which of these films that ex ...
by Risselada in Movie Polls
"[quote user="Phantasma-gore-ia"] Was there some unknown problem with Pulp Fiction and it's close to 300 uses of the said word? Or is it just me? [/quote] What do you mean by an "unknown problem"?? If you are asking why Pulp Fiction didn't make the poll I can kind of go through my procedure for picking. I found this link on wikipedia first of all: [More]
seelyseely Re:Top 5 Overrated Movies
by seely in Top 5
"Bailey, I'm going to have to go ahead and gree with you on both of those! Goodfellas was a *good* movie, but not *great*. Same can be said for Shakespeare in Love. It was visually pleasant, but really, once again, there wasn't much substance below a glossy exterior. [quote user="bailey822"] I agree completely about Goodfellas. I love Scorsese, but this was n " [More]
bailey822bailey822 Re:Top 5 Overrated Movies
by bailey822 in Top 5
"I agree completely about Goodfellas. I love Scorsese, but this was no Godfather. Shakespeare in Love was another one that didn't exactly deserve all that critical acclaim...it was basically a romantic comedy w " [More]
flairflair Re:Top 5 Overrated Movies
by flair in Top 5
"[quote user="pippin06"] [quote user="leeroy711"] [quote user="SkyPilot"] 3. Amelie [/quote] Boooooooooo!!! I love this one and everything else by Juenet. The rest of the list I can't disagree with but mine would look more like: 1. [More]
RisseladaRisselada Re:What is your favorite Martin ...
by Risselada in Movie Polls
"Well I voted for Taxi Driver. I think it's just overall more focused in my opinion, over the big gangster ones like Casino and Goodfellas (which are both very good). I have yet to see some of these. I'm interested in [More]
All Movie Guide Logo
Review by All Movie Guide
All Movie Guide
loved it.
Seventeen years after revising the book on gangster movies in his breakthrough Mean Streets, Martin Scorsese returned to the netherworld of Italian-American organized crime with this stunningly ambitious, ferociously entertaining look at one man's rise and fall in a Mafia family. Shot and edited with a propulsive sense of rhythm that Gene Krupa would envy (this may be the fastest 150 minutes in film history), Goodfellas explores the 30-year career of Henry Hill (Ray Liotta) as a "mechanic" working for mob boss Paulie Cicero (Paul Sorvino). While most films about gangsters attribute their characters' criminal lives to greed or sociopathic behavior, Scorsese makes it clear Henry and his friends Jimmy Conway (Robert De Niro) and Tommy DeVito (Joe Pesci) are gangsters because they enjoy it: they like to steal, they enjoy violence, and their "work" allows them to profit from these qualities, which would be a hindrance in nearly any other career. However, while the film offers a point-blank look at New York's criminal underworld from the '50s to the '80s, Scorsese also uses this story as a unusual but clear moral fable. In the first few reels, Henry and his partners follow a strict code of honor and make sure to obey Cicero's wishes: you pay tribute to the boss, you stay away from dealing drugs, and you don't kill anyone unless it's absolutely necessary. By the mid-'70s, these guidelines have been forgotten, and as Henry, Jimmy, and Tommy slip away from Paulie's corrupt but strictly ordered ethical universe, it leads only to death and betrayal. Scorsese has long been fascinated with the actions of men searching for a moral compass in a faithless land, but he's rarely told the story with such kinetic force and audacious skill. ~ Mark Deming, All Movie Guide
 

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